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"contents": "<span style=\"font-weight: 400;\">“How do you translate ‘</span><i><span style=\"font-weight: 400;\">magistraat se moer</span></i><span style=\"font-weight: 400;\">’?” actress Shaleen Surtie-Richards once asked when there was talk of </span><i><span style=\"font-weight: 400;\">Fiela se Kind</span></i><span style=\"font-weight: 400;\"> being performed in English. Indeed.</span>\r\n\r\n<span style=\"font-weight: 400;\">She understood — in an instinctive way that many linguists and speakers of the language do not — that it is not just a word itself that conveys a concept. It is also about the emotion that goes with it, and the collective memory that lies behind it.</span>\r\n\r\n<span style=\"font-weight: 400;\">Think of “</span><i><span style=\"font-weight: 400;\">hulle weet nie wat ons weet nie</span></i><span style=\"font-weight: 400;\">” (they don’t know what we know) or “</span><i><span style=\"font-weight: 400;\">ons is nie almal so nie</span></i><span style=\"font-weight: 400;\">” (we’re not all like that) or “</span><i><span style=\"font-weight: 400;\">my fok, Marelize</span></i><span style=\"font-weight: 400;\">”, to name just a few examples in our recent past.</span>\r\n\r\n<span style=\"font-weight: 400;\">Then there is “</span><i><span style=\"font-weight: 400;\">aweh masekin</span></i><span style=\"font-weight: 400;\">” or “</span><i><span style=\"font-weight: 400;\">howzit</span></i><span style=\"font-weight: 400;\">”. And let’s not even talk about the overrounded “a” that Pretoria residents use or Malmesbury’s uvular “r” (</span><i><span style=\"font-weight: 400;\">bry</span></i><span style=\"font-weight: 400;\">).</span>\r\n\r\n<span style=\"font-weight: 400;\">Sometimes people only need to say one word and it is possible to determine with reasonable accuracy where they’re from, their </span><i><span style=\"font-weight: 400;\">komvandaan</span></i><span style=\"font-weight: 400;\"> as we say in Afrikaans.</span>\r\n\r\n<span style=\"font-weight: 400;\">Shortly after the recent American election, an academic at one of their major universities contacted me. She asked me about Elon Musk’s Afrikanership and was very surprised when I informed her that he is not one because he does not speak Afrikaans.</span>\r\n\r\n<span style=\"font-weight: 400;\">For someone who lives in a country where only one language is recognised, it is probably difficult to understand how much of our identity is caught up in the language we speak. It can become an overbearing assumed identity. Thus, </span><i><span style=\"font-weight: 400;\">#onsisniealmalsonie</span></i><span style=\"font-weight: 400;\"> hasn’t become such a popular hashtag for no reason.</span>\r\n\r\n<span style=\"font-weight: 400;\">Am I an Afrikaner, was her next question. No, because I am not white. Note: I am aware of the attempt to promote brown Afrikanership, but this is where I experience my own </span><i><span style=\"font-weight: 400;\">#onsisniealmalsonie</span></i><span style=\"font-weight: 400;\"> moment. I am an African, born from the soil of Africa, finish en klaar.</span>\r\n<h4><b>The baas gevaar</b></h4>\r\n<span style=\"font-weight: 400;\">In this year when Afrikaans as an official language has its centenary celebration, and when the</span><a href=\"https://taalmuseum.co.za/en/home/\"> <span style=\"font-weight: 400;\">Afrikaans Language Monument and Museum</span></a><span style=\"font-weight: 400;\"> (Afrikaanse Taalmuseum en -monument, ATM) is celebrating its jubilee, it is probably natural to reflect on the state of Afrikaans and also my own complex relationship with it.</span>\r\n\r\n<span style=\"font-weight: 400;\">Afrikaans is the language in which I pray, cry, laugh, get angry and express love. It is the default language I return to when emotion has me tongue tied. It is the language in which I am </span><i><span style=\"font-weight: 400;\">verklempt</span></i><span style=\"font-weight: 400;\"> (overcome with emotion) and the language in which I am overwhelmed.</span>\r\n\r\n<span style=\"font-weight: 400;\">But when I do a SWOT analysis of the language, I am confronted with one alarming fact. There is much to say about the Strengths, Weaknesses and Opportunities in the SWOT, but the biggest Threat? It is not Bela (Basic Education Laws Amendment Bill) or the shrinking of Afrikaans as a scientific language. The biggest threat is the people who want to dominate it.</span>\r\n\r\n<span style=\"font-weight: 400;\">I am not really on social media any more, but a friend sent me a post that Professor Wannie Carstens made on Facebook. He says the following: “One of the aspects that determines the growth or decline of a language is the image of the language among non-speakers of the language. And the image of Afrikaans as a language is being greatly damaged because of Trompie (Donald Trump) and his gang’s actions. And the reaction of some Afrikaans people to that. It confirms negative patterns of the past... Now everyone is being tarred with the same brush again.”</span>\r\n\r\n<span style=\"font-weight: 400;\">He refers to the village idiots who sing </span><i><span style=\"font-weight: 400;\">Die Stem</span></i><span style=\"font-weight: 400;\"> but intend it for one small group, who speak Afrikaans but want to expropriate it for only some speakers.</span>\r\n<h4><b>Kraaltaal’s quilt of books</b></h4>\r\n<span style=\"font-weight: 400;\">We sometimes forget that Afrikaans is not a European thing. It is a Creole language born in Africa. Afrikaans is not a Dutch gabled house with many rooms, it is a kraal with many huts. Afrikaans is a karos under which all her children have to lie, and where there is often a wrestling match when someone feels they are not being properly covered. The danger comes when one of the children wants to tear the karos apart rather than share it. Then everyone is disadvantaged. No one is covered.</span>\r\n\r\n<span style=\"font-weight: 400;\">Guess what? Then Afrikaans’ enemies don’t have to do anything. They can just sit back, popcorn in hand, and watch while we rip each other apart.</span>\r\n\r\n<span style=\"font-weight: 400;\">In this centenary and jubilee year, we should rather see Afrikaans as a quilt, one where it is precisely the different colours in the individual blocks that make the whole beautiful and unique. I am lucky enough to be surrounded by books, so allow me to put together my Afrikaans quilt from literature.</span>\r\n\r\n<span style=\"font-weight: 400;\">Here lie </span><i><span style=\"font-weight: 400;\">Bientang, Plunder, Kinderlê, In glas, Moerstaāl, Narreskip, Misfit, Onrus op Steynshoop, Die man wattie kinnes vang, Gebeente, Eugene, Decima</span></i><span style=\"font-weight: 400;\"> and </span><i><span style=\"font-weight: 400;\">Een voet innie kabr</span></i><span style=\"font-weight: 400;\"> tenderly (</span><i><span style=\"font-weight: 400;\">knussies</span></i><span style=\"font-weight: 400;\">) side by side in the tapestry that is sewn together with the colourful yarn of Afrikaans.</span>\r\n\r\n<span style=\"font-weight: 400;\">Don’t forget Marita van der Vyver, Veronique Jephtas, SJ Naudé, EKM Dido, Breyten Breytenbach and Adam Small. There is Braam de Vries, Diana Ferrus, Chanette Paul, Anzil Kulsen, Elsa Winckler and many more.</span>\r\n\r\n<span style=\"font-weight: 400;\">It’s a quilt that is colourful precisely because the pieces are so different from each other. </span><i><span style=\"font-weight: 400;\">Een voet innie kabr</span></i><span style=\"font-weight: 400;\"> opens up a lived experience in Afrikaans that no one else has been able to convey, and that Standard Afrikaans with the best will in the world cannot reveal. </span><i><span style=\"font-weight: 400;\">Onbeskryflike genade</span></i><span style=\"font-weight: 400;\"> brings a perspective without which we would all be poorer, as does </span><i><span style=\"font-weight: 400;\">Onder ’n bloedrooi hemel</span></i><span style=\"font-weight: 400;\">.</span>\r\n\r\n<span style=\"font-weight: 400;\">The list goes on and on, of writers and poets and playwrights and songwriters, of wordsmiths who weave and work on the Afrikaans tapestry.</span>\r\n\r\n<span style=\"font-weight: 400;\">But the unsung heroes and heroines are the people who speak Afrikaans, who curse and pray and sing in it, the people who reach out across borders in the language of their hearts.</span>\r\n\r\n<span style=\"font-weight: 400;\">It is not the village idiots who are going to take Afrikaans off life support and bring it back to life. It is the flower seller in Adderley Street, the street sweeper in Kariega, and the cattle farmer in the Free State who is reaching out and helping to build.</span>\r\n\r\n<span style=\"font-weight: 400;\">It is they who are going to ensure that Afrikaans thrives. It is they who will celebrate the moonlight on the Taalmonument in another 50 years. </span><b>DM</b>\r\n\r\n<i><span style=\"font-weight: 400;\">This article is part of a series celebrating the 50th anniversary of the Afrikaans Language Museum and Monument (ATM). The opinions expressed are those of the author. Follow the ATM on taalmuseum.co.za and social media.</span></i>\r\n\r\n<span style=\"font-weight: 400;\"> </span><i><span style=\"font-weight: 400;\">If you wish to comment on this issue, please send an email to </span></i><i><span style=\"font-weight: 400;\">[email protected]</span></i>\r\n\r\n<i><span style=\"font-weight: 400;\">Letters will be edited.</span></i>",
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