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An extraordinary Weskus food affair in the engine room of the Mount Nelson

An extraordinary Weskus food affair in the engine room of the Mount Nelson
‘We weren’t allowed any’: Nyangbo cremeux, granadilla frozen yoghurt, chanilly roulade. (Photos: Tony Jackman)
In the steaming kitchen of a great hotel, unheralded kitchen hands step out of their (very hot) comfort zone to show us what they are made of, and to shine a light on their future.

Of all the places in the world I might expect to find a human heart story about a West Coast kid telling his life story in food, the Mount Nelson Hotel was as far off the radar as salmon en croûte is to fish and chips from a Saldanha Bay takeaway.

And I’m seeing the Nellie in new ways, and in new ways. New ways, first, because this visit (here’s the previous one) is affording me a new perspective of a landmark I was first aware of in my younger years, when it was the fabled hotel I had yet to set foot in, and would have to wait until I grew up. New ways, second, because the same old spaces are filled with different things now, new looks, other cuisines.

The contrast couldn’t have been starker. Gaby Palmer had wanted me to meet a friend, who wanted to meet me; and I wanted to meet him, having been aware of him for years, not least when he hosted a performance of my play An Audience with Miss Hobhouse at his Klein Karoo hotel. Lynita Crofford, who played Hobhouse, had told me all about how it went, and I was green with envy, not having been able to attend. 

Theo Nel, former owner of the Karoo Art Hotel in Barrydale, was waiting for us at a verandah table adjacent to the Planet bar when Gaby and I arrived after she’d given me a tour of the grounds. (I’d been ushered to the other side of the famous Prince of Wales Gate (that’s what you’re looking at when you swish by on your way to work) where there are tennis courts you can’t see from Orange Street (did you know?), and given tidbits such as how tourist-class passengers were put up at the old Helmsley Hotel while the first class hoity-toity lorded it in the hotel proper. So the great divide on board the grand ships continued ashore. And we walked through lovely Taunton House, where Pieter Toerien used to put his actors and where I interviewed many a thespian back in the eighties.

Gaby, who markets the hotel with discreet aplomb, has a vibrant, sunny personality, she’s a super-duper person; Theo is all charm and wit, and seems to regard the Nellie as something of a second home; he had a sort of proprietorial air about him. We should all be so lucky. We had a whale of a time, the three of us and later the four (my son-in-law Neal was deposited out of an uber, and had put long trousers on, to my relief), and I was almost disappointed when Neal and I were called for the start of dinner in the kitchen. Yes, the kitchen.

Neal and Rebba had each chosen a night to have dinner with me, after I’d suggested they take turns this time, so that Neal could have a turn out, with Rebs at home with the kids. Rebs had given Neal first choice, so she would be going to COY at the Waterfront with me the next evening. Neal was very excited at the prospect of this dinner in the Mount Nelson kitchen; he knows his food, and is a fabulous cook, as is Rebs. Seems to be a bit of a family thing. (I suspect Rebs might have said to him, in their early days, “Yes, but can you cook?”)

Chef Luke Barry, whom I interviewed for his story, had invited me to experience the chef’s table in the kitchen, and at first I’d thought it would be him cooking for us. While Gaby, Theo and I were outside, Luke had popped by to say I was going to love tonight’s chef’s story. “Tonight’s” chef, because this is a rotating thing. He pushes individuals on the kitchen team to take a turn to present their dinner, and tell their story. And as the dinner progressed I would well up several times, so moving and inspirational was this extraordinary food affair.

At the centre of tonight’s affair was a young man who explained to us shakily yet confidently that he “hails from Saldanha Bay” and was proud to present us with his food tonight. And I’m already feeling the emotion. For context, consider my past and present — in my teens, my mom and I had next to nothing and for a while we lived on Social Welfare food parcels of samp and dried beans. Meeting someone at the start of their path in life, and seeing their talent and possibly their future, moves me profoundly.

This kid is chef de partie Isaac Chitter, just 23, and I observed with growing admiration his self-confidence and his deft expertise in the kitchen as the evening progressed. He behaved like a seasoned chef, perfectly turned out, neat and tidy, completely on top of the many courses he was in charge of, and these are important aspects of the professional chef’s craft. If this had a practical exam he’d have been given straight A’s.

It’s not only Isaac in the house tonight. Lazarus Masango, a sommelier-in training, is putting himself through his paces (and Isaac has an entertaining surprise for him later; entertaining for us, at least) and pastry chef Nomthwakazi Magoloza (who introduced herself as Kazi) will be popping in with a course or two. Lazarus worked so hard, and met the challenge from Isaac with aplomb, although his tendency to be repeatedly repetitive (tautology intentional) and gesticulate wildly needs to be tamed before he is let loose as a professional sommelier.

Our dining room alcove seats 10 at various table configurations, but tonight there are only four of us at two tables. The Swiss couple at the other table are smiling and appreciative throughout, which I found useful to observe — they are more typical of the clients here. There’s a mini pass between us and the kitchen beyond, so we can see the scurrying around, the opening and closing of steaming oven doors, the occasional flame leaping from a pan that’s had brandy poured into it.

The chefs have written a short introduction describing their menu: “A bespoke journey through the memories and flavours we grew up with, surrounded by Aunts, Oumas and friends. We welcome you on a journey influenced by textures, spices and exquisite aromas from our childhood that inspire us to be the chefs we are today.”

Kazi started proceedings with a bread course of her homemade vetkoek with butter and apricot jam; this is pure West Coast and executed with finesse (not that vetkoek requires finesse). 

Isaac presents us, so proudly, with an amuse-bouche of Saldanha Bay oysters with salmon roe and seaweed butter. His home town on two half shells. And my heart is in my mouth. “Laz” has paired a cocktail with it: Strawberry purée at the base of a flue of Antonij Rupert MCC L’Ormarins MCC.

‘Ouma’: Pressed pap with chakalaka. (Photos: Tony Jackman)



Then Isaac is at the pass, crouched over plates, and here is — chakalaka, at the Nellie. He calls the dish “Ouma”. His gran used to make pap and chakalaka on a Monday and they’d sit outside near the sliding door of the little yard — “if you eat this on a Monday your week is going to be perfect”. It’s a refined take on pap (“pressed pap”) with “chakalaka, red bell pepper sauce and cherry tomato ketchup”. The texture of the pap is exquisite; I could have eaten a bowl of it. He tells us he mixed maize pap with polenta. And that’s a point that’s been made before on a fine dining menu — in the first decade of the century, Margo Janse was creating fabulous South African dishes on her Le Quartier Francais menus. We can celebrate our heritage at any level, and yes, even at the staid old Nellie.

‘Nienies’: pan fried kingklip, hazelnut butter and crumb, chicken broth. (Photos: Tony Jackman)



‘Oom Fabian’: Butter poached crayfish tail, Malay curry purée, grilled corn. (Photos: Tony Jackman)



Lazarus pairs Orpheus & the Raven riesling with it, and soon returns with Iona sauvignon blanc to go with “Nienies”. Aunty Nienie worked in the canteen at the Sea Harvest factory when Isaac worked here in his school holidays. She made his peculiar thing, which he loved — fried fish, over which she poured chicken broth. If anyone was sceptical, Isaac was here to prove us wrong. So wrong. In his take on it, the fish is kingklip, soft and succulent, with a chicken broth poured over which he must have made for days, it was so refined. Finishing it off is a fabulous crunch of toasted crushed hazelnuts and cauliflower purée. Top drawer. Who knew hazelnuts went so well with kingklip.

Tierhoek wooded chenin from Piekenierskloof is paired with “Oom Fabian” who used to take home the “crayfish that walked out of the sea” at Paternoster. He’d steal it and take it home to eat on paper with a shot of brandy. The wooded chenin is a delectable match for Isaac’s poached kreef tail with lemongrass, seaweed and curry leaves. The secret, Isaac says, is a touch of apricot jam in the Cape Malay curry sauce; that’s a West Coast thing too. There’s a pickled onion and corn salsa to complete the dish.

Even the palate cleanser is interesting: cherry tomatoes, basil, garlic and olive oil emulsified with sherry, vinegar and lemon.  

We’re expecting wagyu sirloin next, because that’s what the menu says, but Isaac has a surprise for us, and especially for Lazarus. 

“It’s a surprise course. Lazarus doesn’t know.” He’s testing Lazarus’ ability to pair a wine on the spot.

He’s cooking springbok loin and serving it with four purées: apricot, cauliflower, prune, and smoked emulsion. He deftly swishes the purées on a plate. Lazarus is starting to present his next wine to us, then out of the corner of his eye sees the plating. It’s not what he’s expecting. Much joshing ensues, and a panicked Lazarus excuses himself to go to the cellar and find a good match, tout suite.

He’s back with a face-saving Diemersfontein pinotage from the Swartland, so he’ll get the beer later that Isaac promised him. The springbok loin is perfectly rare, “faultlessly cooked”, say my notes.

‘Gees’: Braaied wagyu, monkeygland sauce. (Photos: Tony Jackman)



Things have slowed down a bit now and we feel they should be jacked up, impetus regained. Anyway, everyone’s forgiving, and Laz is back with the beautiful Springfield the Work Of Time 2018, big and bold and brimful of its years. It’s matching the Wagyu sirloin, which Isaac calls “Gees”, and poured over it is — what! — monkeygland sauce. But monkeygland was never like his. A young chef has understood what some take decades to learn: you can turn anything into something fine, if you have the palate and the art to achieve it. It was utterly divine. Enhancing it, from another continent, was chimichurri. Clever, very clever.

I have to wrap quickly. Deadline looms. (How often do you hear that admission?) Isaac ends our meal with a swinging “craffle”. A sort of waffle croissant, filled with smoked Gruberg, inspired by “Mommy”, and after a gift of an espresso martini from Lazarus, the finale of “Vienetta” (his ode to the commercial frozen treat of his youth) is served with fiery impact. 

‘We weren’t allowed any’: Nyangbo cremeux, granadilla frozen yoghurt, chanilly roulade. (Photos: Tony Jackman)



A well played final touch, Isaac, sir. I hope to see you at the helm of your own kitchen one of these days. Let me know when and I’ll be there to watch and smile. DM

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