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"title": "An insider look at ‘The Outsider’, ‘Truth to Power’ and time spent with Ella Blumenthal",
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"contents": "<span style=\"font-weight: 400;\">At the Franschhoek Literary Festival last weekend, I was on two panels with Prince Mashele to discuss his book </span><i><span style=\"font-weight: 400;\">The Outsider – The unauthorized biography of Herman Mashaba.</span></i><span style=\"font-weight: 400;\"> </span>\r\n\r\n<span style=\"font-weight: 400;\">That was fortuitous as I read the book before it was withdrawn by Jonathan Ball Publishers after </span><i><span style=\"font-weight: 400;\">the Sunday Times</span></i><span style=\"font-weight: 400;\"> revealed that it was both authorised and that moxie Mashele earned R12.5-million for writing it. </span>\r\n\r\n<span style=\"font-weight: 400;\">An industry insider who has published the best-selling local non-fiction says the top authors have made between R1-million and R2-million from their books. Most authors earn R100,000 from royalties; the average income on a book that sells well is around R400,000 to R500,000. So R12.5-million is a princely sum. </span>\r\n\r\n<span style=\"font-weight: 400;\">But how is the book, outside of its controversy? </span>\r\n\r\n<span style=\"font-weight: 400;\">I enjoyed it. Mashele, a friend in our political writer circles, has a sophisticated style. And so, his location of Mashaba in the rise of political outsiders across the globe is on the mark analysis. </span>\r\n\r\n<span style=\"font-weight: 400;\">Mashaba, he writes, is like the ascendance of outsiders to the epicentres of political power like Giuseppe Conte of the Five Star Movement in Italy or that of Zambian president Hakainde Hichilema. In 2021, Mashaba and the Patriotic Alliance of Gayton McKenzie were the outlier stories of the local government election. </span>\r\n\r\n<span style=\"font-weight: 400;\">The shape-shifting election of 2024 will see a further rise of outsider politicians as coalitions become the dominant political form. </span>\r\n\r\n<span style=\"font-weight: 400;\">Mashele is a good analyst, and his global sense of politics is refreshing in a country where politics is often covered as factional intrigue rather than as a trend or sociology or political meaning in deeper insights of the word. </span>\r\n\r\n<span style=\"font-weight: 400;\">It’s a pity you are now unlikely to read it because the book’s been pulled. It would have been a valuable part of the 2024 reading compendium. Still, ethics in publishing are vital to maintaining the sector’s integrity. </span>\r\n\r\n<span style=\"font-weight: 400;\">The book is an authorised biography: Mashele likes Mashaba (and Mashaba clearly likes him back given the advance he paid). The most enjoyable part of the book is his account of how Mashaba rose to become the entrepreneur who started </span><i><span style=\"font-weight: 400;\">Black Like Me</span></i><span style=\"font-weight: 400;\">. This eponymous hair-care brand still defines him. His love affair and life with Connie Mashaba shape the life of Herman and of the book. If you know her, you will understand why Mashaba is worth watching ahead of 2024. </span>\r\n\r\n<span style=\"font-weight: 400;\">The book does not explain or analyse the politician’s drift into the muddied waters of xenophobia. Taking a political whip to foreigners living in South Africa is the cheap shot of choice for parties ranging all the way from the ANC across the spectrum, and Mashaba has picked it up with zealousness. It’s a pity, and it would have been good to see Mashele interrogate this drift closely. </span>\r\n<h4><b>De Ruyter’s book is a smash hit</b></h4>\r\n<span style=\"font-weight: 400;\">The other book that was the talk of the town (or village) was Andre de Ruyter’s </span><i><span style=\"font-weight: 400;\">Truth to Power</span></i><span style=\"font-weight: 400;\">. The first person we bumped into at the opening was Marida Fitzpatrick, the fizz-ball of publishing energy at Penguin, who approached De Ruyter years ago about writing a book. </span>\r\n\r\n<span style=\"font-weight: 400;\">De Ruyter hoped it would be a happier story, the knight who saved an entity. He said as much in a </span><i><span style=\"font-weight: 400;\">Carte Blanche</span></i><span style=\"font-weight: 400;\"> interview with a sceptical Bongani Bingwa a few weeks ago. Penguin has sold 50,000 books to booksellers in days, and it is about to set a record in its genre. </span>\r\n\r\n<span style=\"font-weight: 400;\">When I went to buy my copy on Mother’s Day (May 14) as it was released, the books were walking out of the store. And after reading it, I’m not surprised why. </span>\r\n\r\n<span style=\"font-weight: 400;\">It is an accessible story of our electricity crisis and the human greed undergirding it. Eskom shouldn’t be unbundled; it should be mothballed. No CEO can retrieve a working utility from the corruption of the oil supply, coal supply and procurement theft that now defines it. </span>\r\n<h4><b>Winnie & Nelson</b></h4>\r\n<span style=\"font-weight: 400;\">Joanne Joseph, who wrote the beautiful </span><i><span style=\"font-weight: 400;\">Children of Sugarcane</span></i><span style=\"font-weight: 400;\">, hosted an hour-long conversation with Jonny Steinberg, author of </span><i><span style=\"font-weight: 400;\">Winnie & Nelson: Portrait of a Marriage.</span></i>\r\n\r\n<span style=\"font-weight: 400;\">Luckily for Jonathan Ball, they have another bestseller in Steinberg’s painstaking anatomy of one of South Africa's most famous marriages. I can’t wait to read the book. The conversation between the two authors at Franschhoek clearly bears the hallmarks of Steinberg’s oeuvre: minute and detailed research, meticulous observation and a journalist’s eye for a good story. </span>\r\n<h4><b>I am Ella</b><span style=\"font-weight: 400;\"> </span></h4>\r\n<span style=\"font-weight: 400;\">My very favourite session was when 103-year-old Ella Blumenthal took to the stage as part of a discussion of her book </span><i><span style=\"font-weight: 400;\">I am Ella</span></i><span style=\"font-weight: 400;\"> by Joanne Jowell. Blumenthal is South Africa’s treasure, the 103-year-old survivor of the Holocaust. She remains feisty and can-do. Her refrain to those who asked how she maintains her spirit, she repeatedly replied that life is beautiful and is to be lived. A Viktor Frankl in our midst, it was a rare and precious honour to hear her speak. </span>\r\n\r\n<span style=\"font-weight: 400;\">Run by an all-woman team led by director Elitha van der Sandt, curator Ingeborg Pelser and the author’s manager Megon Fitzgibbon, the literary fair is a peach on our reading tree and surely right up there with the best book fairs in the world like those in Jaipur, Guadalajara, Frankfurt/Abu Dhabi and the London book fair. </span><b>DM</b>\r\n\r\n<span style=\"font-weight: 400;\">I am Ella </span><i><span style=\"font-weight: 400;\">by Joanne Jowell (Kwela, 2023);</span></i><span style=\"font-weight: 400;\"> Winnie&Nelson: Portrait of a Marriage </span><i><span style=\"font-weight: 400;\">by Jonny Steinberg (Jonathan Ball, 2023);</span></i><span style=\"font-weight: 400;\"> Truth to Power – my three years inside Eskom </span><i><span style=\"font-weight: 400;\">by Andre de Ruyter (Penguin, 2023) ;</span></i><span style=\"font-weight: 400;\"> Children of Sugarcane by Joanne Joseph </span><i><span style=\"font-weight: 400;\">(Jonathan Ball, 2021)</span></i>",
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