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"contents": "<span style=\"font-weight: 400;\">Commonly called the </span><a href=\"https://theconversation.com/germany-is-returning-nigerias-looted-benin-bronzes-why-its-not-nearly-enough-165349\"><span style=\"font-weight: 400;\">Benin Bronzes</span></a><span style=\"font-weight: 400;\">, because the objects originated from the Kingdom of Benin (today’s Nigeria), these beautiful and technically remarkable artworks have come to symbolise the broader restitution debate.</span>\r\n\r\n<span style=\"font-weight: 400;\">Two British universities – </span><a href=\"https://www.theguardian.com/education/2021/oct/15/cambridge-college-to-be-first-uk-return-looted-benin-bronze\"><span style=\"font-weight: 400;\">Cambridge</span></a><span style=\"font-weight: 400;\"> University and the University of </span><a href=\"https://www.bbc.com/news/uk-scotland-north-east-orkney-shetland-59063449\"><span style=\"font-weight: 400;\">Aberdeen</span></a><span style=\"font-weight: 400;\"> – recently returned two of the artefacts. And, in mid-October, Germany and Nigeria </span><a href=\"https://edition.cnn.com/style/article/smithsonian-african-art-benin-bronzes-repatriation/index.html\"><span style=\"font-weight: 400;\">signed</span></a><span style=\"font-weight: 400;\"> a memorandum of understanding setting out a timetable for the return of around 1,100 sculptures from German museums.</span>\r\n\r\n<span style=\"font-weight: 400;\">Jos van Beurden – an expert on the protection, theft and smuggling of cultural and historical treasures of vulnerable states – offers his insights into this wave of repatriation. He also suggests a way forward for Nigeria to handle and harness the benefits of the artefacts. </span>\r\n\r\n[audio mp3=\"https://www.dailymaverick.co.za/wp-content/uploads/2021/11/benin-bronze-1-1.mp3\"][/audio]\r\n\r\n<em>Benin bronzes: What is the significance of their repatriation to Nigeria? Released: 2021. Audio: The Conversation.</em>\r\n\r\n<em><b>Music:</b><span style=\"font-weight: 400;\"> “Happy African Village” by John Bartmann, found on </span><a href=\"http://freemusicarchive.org/music/John_Bartmann/Public_Domain_Soundtrack_Music_Album_One/happy-african-village\"><span style=\"font-weight: 400;\">FreeMusicArchive.org</span></a><span style=\"font-weight: 400;\"> licensed under </span><a href=\"https://creativecommons.org/publicdomain/zero/1.0/\"><span style=\"font-weight: 400;\">CC0 1</span></a><span style=\"font-weight: 400;\">.</span></em>\r\n\r\n<em><span style=\"font-weight: 400;\">“African Moon” by John Bartmann, found on </span><a href=\"https://freemusicarchive.org/music/John_Bartmann/Public_Domain_Soundtrack_Music_Album_One/african-moon\"><span style=\"font-weight: 400;\">FreeMusicArchive.org</span></a><span style=\"font-weight: 400;\"> licensed under </span><a href=\"http://creativecommons.org/publicdomain/zero/1.0/\"><span style=\"font-weight: 400;\">CC0 1.0 Universal License.</span></a></em>\r\n\r\n<b>DM/ML <iframe src=\"https://counter.theconversation.com/content/171444/count.gif?distributor=republish-lightbox-advanced\" width=\"1\" height=\"1\"></iframe></b>\r\n\r\n<a href=\"https://theconversation.com/benin-bronzes-what-is-the-significance-of-their-repatriation-to-nigeria-171444\"><span style=\"font-weight: 400;\">This story was first published in</span><i><span style=\"font-weight: 400;\"> The Conversation.</span></i></a>\r\n\r\n<i><span style=\"font-weight: 400;\">Jos van Buerden is a researcher, at Vrije Universiteit Amsterdam. Joey Akan is a freelance Arts & Culture Editor. Usifo Omozokpea is an Audience Development Manager. </span></i>\r\n\r\n[hearken id=\"daily-maverick/8881\"]",
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