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"contents": "<span style=\"font-weight: 400;\">First, the title: in the realm of mathematics, orthogonal has a narrow meaning, referring to points intersecting or lying at right angles. Expand that reach a little further, however, and David Buckham’s multi-level model becomes clear: orthogonal thinking corrals unrelated perspectives to create probing and unexpected insights. </span>\r\n\r\n<span style=\"font-weight: 400;\">This is not a travelogue. Nor is it an autobiography, a maths primer or a self-help book. </span>\r\n\r\n<span style=\"font-weight: 400;\">It does have a little of all of those, however. Author of the best-selling </span><a href=\"https://www.amazon.com/End-Money-Erosion-Banking-Cryptocurrency/dp/B09JJJ4RSR\"><span style=\"font-weight: 400;\">The End of Money</span></a><span style=\"font-weight: 400;\"> and </span><a href=\"https://exclusivebooks.co.za/products/9781990956515\"><span style=\"font-weight: 400;\">The Age of Menace,</span></a><span style=\"font-weight: 400;\"> Buckham moves from scrutinising international finance markets to tracking his own search for meaning. </span>\r\n\r\n<span style=\"font-weight: 400;\">It’s a deeply personal journey – his aim is to convey “a way of seeing things differently”.</span>\r\n\r\n<span style=\"font-weight: 400;\">He has roamed through many of the world’s far-flung places and interrogated many disciplines in his attempt to answer the question: Where does meaning reside? </span>\r\n\r\n<span style=\"font-weight: 400;\">And this is what he’s set out to portray: learnings that led him “to reach a substantial realisation”.</span>\r\n\r\n<span style=\"font-weight: 400;\">The breadth of his knowledge is wide, informed by a lifetime of study and far-ranging adventures, from abstract mathematics and English Literature at UCT in the 1990s to exploring the ruins on the Yucatan Peninsula and mastering the challenges of rock-climbing. </span>\r\n\r\n<span style=\"font-weight: 400;\">The result is a unique view of the world and of himself – his “human beingness”.</span>\r\n\r\n<span style=\"font-weight: 400;\">To counter what he calls today’s “giant idea trains”, freighted with pseudo information and knee-jerk un-thinking, he’s trawled through the fields of mathematics, linguistics, philosophy, literature and music. Each of these subjects considered on its own comes up short, offering paradox and contradiction… more questions than answers.</span>\r\n\r\n<span style=\"font-weight: 400;\">Mathematics, for example, presents monumentally difficult problems. Some remain too knotty to unravel, even after centuries of the deepest analysis – like </span><a href=\"https://www.claymath.org/millennium/riemann-hypothesis/\"><span style=\"font-weight: 400;\">Riemann Hypothesis</span></a><span style=\"font-weight: 400;\">, which sits at the heart of Buckham’s book. </span>\r\n\r\n<span style=\"font-weight: 400;\">An exploration of the distribution of prime numbers, with great influence on </span><a href=\"https://science.howstuffworks.com/math-concepts/number-theory.htm\"><span style=\"font-weight: 400;\">Number Theory</span></a><span style=\"font-weight: 400;\">, the hypothesis was first proposed in 1859 and is still neither </span><a href=\"https://www.scientificamerican.com/article/the-riemann-hypothesis-the-biggest-problem-in-mathematics-is-a-step-closer/\"><span style=\"font-weight: 400;\">proved nor disproved</span></a><span style=\"font-weight: 400;\">, though it has been plotted, with the aid of computers, as far as 10 trillion zeros.</span>\r\n\r\n<span style=\"font-weight: 400;\">For customers who are turned off by the self-help shelves in any bookstore (and therefore might not even look at this book), it’s salutary to note that the biggest self-help resource is probably literature: uncountable quantities of words through the ages that question, instruct, enlighten, entertain, move… </span>\r\n\r\n<span style=\"font-weight: 400;\">He swiftly dismisses both postmodernism and poststructuralism. </span>\r\n\r\n<span style=\"font-weight: 400;\">Under poststructuralism, where “truth” is not a fixed concept, but instead changes depending on cultural, political and social circumstances, independent thought becomes negative. </span>\r\n\r\n<span style=\"font-weight: 400;\">“Taken to the </span><i><span style=\"font-weight: 400;\">n</span></i><span style=\"font-weight: 400;\">th degree, it questions whether there is a single objective reality at all.” </span>\r\n\r\n<span style=\"font-weight: 400;\">Likewise, postmodernism is essentially nihilistic. </span>\r\n\r\n<span style=\"font-weight: 400;\">At UCT, studying English literature through a postmodernist lens meant that he and his cohort “learned </span><i><span style=\"font-weight: 400;\">not</span></i><span style=\"font-weight: 400;\"> to love words and books and literature”. Only re-reading literature years later did he discover the timeless instruction and pleasure of reading. </span>\r\n\r\n<b>Watch here:</b> <a href=\"https://www.youtube.com/watch?v=xpVQ3l5P0A4\"><span style=\"font-weight: 400;\">Chomsky-Foucault Debate on Power vs Justice (1971)</span></a><span style=\"font-weight: 400;\"> </span>\r\n\r\n<span style=\"font-weight: 400;\">Peopled by luminaries as diverse as Noam Chomsky and Michel Foucault (the noise of whose </span><a href=\"https://www.youtube.com/watch?v=xpVQ3l5P0A4\"><span style=\"font-weight: 400;\">1971 debate is echoing still</span></a><span style=\"font-weight: 400;\">), Derek Walcott, John Steinbeck, Albert Camus, JM Coetzee and Stephen Watson, the book highlights a vast literary canon. </span>\r\n\r\n<span style=\"font-weight: 400;\">In the mix are heroes, anti-heroes, absurdists, evil-doers, men driven mad, people without conscience. </span>\r\n\r\n<span style=\"font-weight: 400;\">Harry Potter’s Voldemort is like Foucault, in Buckham’s view – snake-like, the embodiment of the serpent in the prelapsarian Garden. This is a comparison likely to offend Foucault fans and provoke fierce argument. </span>\r\n\r\n<span style=\"font-weight: 400;\">In fact, a recurring theme is the serpent, encountered in various settings, echoing the boa constrictor in Antoine Saint-Exupery’s The Little Prince, a story that significantly inspired this book. Accompanying the snake reference are thoughtful illustrations by Martine Margoles. </span>\r\n\r\n<span style=\"font-weight: 400;\">Buckham assumes a lot on the part of his audience. </span>\r\n\r\n<span style=\"font-weight: 400;\">Some of his allusions might send a bemused reader to Google (or an old-school encyclopedia): not everyone is au fait with Philip Glass’ </span><a href=\"https://www.youtube.com/watch?v=M73x3O7dhmg\"><span style=\"font-weight: 400;\">Metamorphosis I</span></a><span style=\"font-weight: 400;\">, for example (or Pantera!), or familiar with Gauss’ number theory, or </span><a href=\"https://plato.stanford.edu/entries/goedel/\"><span style=\"font-weight: 400;\">Gödel</span></a><span style=\"font-weight: 400;\">. </span>\r\n\r\n<span style=\"font-weight: 400;\">He’s not unduly concerned. </span>\r\n\r\n<span style=\"font-weight: 400;\">He wrote this book to encourage readers to “stitch together” their </span><i><span style=\"font-weight: 400;\">own</span></i><span style=\"font-weight: 400;\"> experiences to create meaning that’s personal to them. But the book repays careful attention: it’s wide-ranging and rich and eloquent (at times lyrical, with language and cadences reminiscent of Alan Paton). </span>\r\n\r\n<span style=\"font-weight: 400;\">He does wonder whether we are “mere vessels, floating in the ether”, to </span><i><span style=\"font-weight: 400;\">almost</span></i><span style=\"font-weight: 400;\"> – but not quite – grasp meaning from the void.</span>\r\n\r\n<span style=\"font-weight: 400;\">Nonetheless, “to abandon the search for meaning entirely and to surrender to the absurdity of life would be… at odds with our innate human nature”. </span>\r\n\r\n<span style=\"font-weight: 400;\">He upends the Cartesian approach from, “I think, therefore I am” to, “I am, therefore I think.” </span>\r\n\r\n<span style=\"font-weight: 400;\">It is when we become self-conscious that we become conscious.</span>\r\n\r\n<span style=\"font-weight: 400;\">Ultimately, then, it appears that he </span><i><span style=\"font-weight: 400;\">has</span></i><span style=\"font-weight: 400;\"> found meaning – in the chaotic beauty and unpredictable harmony of numbers, of words, of music, of all the elements in our unplumbed, sprawling universe. </span>\r\n\r\n<span style=\"font-weight: 400;\">Maybe – certainly for human beings at this stage of our limited intellectual capacity to fully grasp any sort of big picture – there’s nothing more. </span>\r\n\r\n<span style=\"font-weight: 400;\">And it may be enough. </span><b>DM</b>\r\n\r\n<span style=\"font-weight: 400;\">Orthogonal Thinking </span><i><span style=\"font-weight: 400;\">by David Buckham is published by Mercury Books, an imprint of Burnet Media (R285).</span></i>",
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