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"title": "Books Column: How to choose the name of your new literary magazine",
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"contents": "<span style=\"font-weight: 400;\">The latest literary sensation to grip the world owes its existence – I am not making this up – to American fast food culture.</span>\r\n\r\n<span style=\"font-weight: 400;\">That and the deliciously bent instincts of the </span><i><span style=\"font-weight: 400;\">Taco Bell Quarterly</span></i><span style=\"font-weight: 400;\">’s Editor-in-Chief, Baltimore-based MM Carrigan – instincts that might be compared to the Tex-Mex chain’s Cinnamon Twist, in their ability to confect sweetness, delight and devilry, served up with a smile.</span>\r\n\r\n<span style=\"font-weight: 400;\">(A Cinnamon Twist is like a denatured koeksister – the syrupy, braided version, not the more elegant, aniseed-fragranced, coconut sprinkles-graced hot ball of glory that those in the know recognise as the rightful bearer of the name, in all its spellings. But I digress.)</span>\r\n\r\n<span style=\"font-weight: 400;\">Most South Africans, I hazard, won’t be familiar with Taco Bell. It’s one of the few behemoth American fast food brands that baulked at the trek south. As a result, we are bereft of the cheap but somehow not entirely unacceptable tacos and burritos that the restaurant purveys, not to mention its confusing but tasty menu of Frankenfoods, like nacho fries and Mexican pizza.</span>\r\n\r\n<span style=\"font-weight: 400;\">The genius informing the </span><i><span style=\"font-weight: 400;\">Taco Bell Quarterly</span></i><span style=\"font-weight: 400;\"> lies not only in the litmag’s name, or the fact that it publishes an issue each year on 20 April (“four twenty”, as the day is known in the US – basically “Marijuana Day”, with Taco Bell’s niche being a righteous destination for those with the munchies); or that its poems, stories, essays and art, which by mandate all refer one way or another to the fast food chain, move in a kind of music-of-the-spheres way to collectively decode the American present in all its pathos, multiplicity and insatiable thirst for a greenish drink called the BAJA BLAST™. (“Like drinking a real hurricane,” according to tacobell.com.)</span>\r\n\r\n<span style=\"font-weight: 400;\">These are important elements, don’t get me wrong. But it’s Carrigan's wholesale adoption of Taco Bell’s slogan, “Live Más”, as the ethos of </span><i><span style=\"font-weight: 400;\">Taco Bell Quarterly</span></i><span style=\"font-weight: 400;\"> that has driven the magazine to literary celebrity. “Live Más” means </span><i><span style=\"font-weight: 400;\">live more</span></i><span style=\"font-weight: 400;\">, and from the start, Carrigan identified this injunction as the key to belletristic progress in modern times. </span>\r\n\r\n<span style=\"font-weight: 400;\">Because of Carrigan's foresight, </span><i><span style=\"font-weight: 400;\">Taco Bell Quarterly</span></i><span style=\"font-weight: 400;\"> has, since the beginning, been several steps ahead in the great literary game. Take </span><i><span style=\"font-weight: 400;\">The New Yorker</span></i><span style=\"font-weight: 400;\">, for example, a decided latecomer, only featuring Taco Bell and its cultural moment in its 24 April issue </span><i><span style=\"font-weight: 400;\">this year</span></i><span style=\"font-weight: 400;\">. </span>\r\n\r\n<span style=\"font-weight: 400;\">Carrigan and </span><i><span style=\"font-weight: 400;\">Taco Bell Quarterly</span></i><span style=\"font-weight: 400;\">, who both score a mention in </span><i><span style=\"font-weight: 400;\">The New Yorker</span></i><span style=\"font-weight: 400;\">’s article, have been tapping the Taco Bell zeitgeist for roughly 175 previous </span><i><span style=\"font-weight: 400;\">New Yorker</span></i><span style=\"font-weight: 400;\"> editions. That’s potentially a lot of Crunchwrap Supremes® (“the product that wrote, and broke, all the rules”) down the hatch while waiting for the official literary world to catch up.</span>\r\n\r\n<span style=\"font-weight: 400;\">Carrigan's appropriation of “Live Más” for his own ends provides the key lesson for anyone seeking to break into said official literary world. Namely, there’s liberation in ignoring it as steadfastly as it’s ignoring you. </span>\r\n\r\n<span style=\"font-weight: 400;\">There are no rules. </span><i><span style=\"font-weight: 400;\">Live más!</span></i><span style=\"font-weight: 400;\"> Go ahead and create your own world, start your own scene, publish your own magazine, on any terms you like. </span>\r\n\r\n<span style=\"font-weight: 400;\">Granted, if you followed Carrigan's playbook to the letter and involved a prominent brand in your new literary project, then it’s best to acknowledge that in South Africa some names are well-avoided. </span>\r\n\r\n<span style=\"font-weight: 400;\">No one wants to read the </span><i><span style=\"font-weight: 400;\">Eskom Schooner</span></i><span style=\"font-weight: 400;\">, for example – that ship sailed long ago – or </span><i><span style=\"font-weight: 400;\">FNB+1</span></i><span style=\"font-weight: 400;\">. But the </span><i><span style=\"font-weight: 400;\">PERi-PERi Review</span></i><span style=\"font-weight: 400;\"> might make for a lekker poke at the venerable publication which takes France’s capital city for its name, and the </span><i><span style=\"font-weight: 400;\">Kentucky Literary Concern</span></i><span style=\"font-weight: 400;\"> has a lively ring to it: imagine the joys that come with happening across a “21-piece bucket of bookish bliss”. </span>\r\n\r\n<span style=\"font-weight: 400;\">On balance, though, I’d look carefully in News Cafe’s direction. News Cafes reek of pathos, after all – one of their signature cocktails is called “Faithful Bitch” – and though the chain’s slogan isn’t fit to be mentioned in the same breath as Taco Bell’s, we must make do with what the South African marketplace provides.</span>\r\n\r\n<span style=\"font-weight: 400;\">Signing off, then, from the soon-to-be-launched </span><i><span style=\"font-weight: 400;\">News Cafe Quarterly</span></i><span style=\"font-weight: 400;\">. “It’s about the vibe.” Now seeking enthusiastic franchisees for all positions on the masthead, including, per the cocktail menu, “Psychopath”. Just to recap, it’s about the vibe. </span><b>DM/ML</b>",
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"summary": "\"Live Más\" and write your own literary destiny: go ahead and create your own world, start your own scene, publish your own magazine, on any terms you like.",
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