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"contents": "<h4><strong>Big-hitter award nominees showing in cinemas</strong></h4>\r\nhttps://www.youtube.com/watch?v=uRu3zLOJN2c\r\n\r\n<strong>Banshees of Inisherin</strong>\r\n\r\n<span style=\"font-weight: 400;\">Martin McDonagh’s new Irish dark comedy is a stiff brew of vulgarity and vulnerability you’ll want to swig the way Paddies do best. Colin Farrell’s performance scored him an Oscar nomination for best actor (</span><a href=\"https://www.dailymaverick.co.za/article/2023-01-27-its-the-2023-oscar-nominations-week-here-are-the-highlights/\"><span style=\"font-weight: 400;\">one of nine for the film</span></a><span style=\"font-weight: 400;\">) alongside Brendan Gleeson. The pair play close friends on a remote island off the coast of Ireland whose relationship suddenly turns sour. </span><span style=\"font-weight: 400;\">\r\n</span><span style=\"font-weight: 400;\">Showing in </span><a href=\"https://www.sterkinekor.com/details/HO00002483/banshees-of-inisherin-the\"><span style=\"font-weight: 400;\">cinemas</span></a><span style=\"font-weight: 400;\"> from 3 February</span>\r\n\r\n<strong>The Whale</strong>\r\n\r\n<span style=\"font-weight: 400;\">A tender feel-fest of self-deprecation about the attempts of an obese hermit (Brendan Fraser) to reconnect with his teenage daughter. The film has been criticised for portraying fatness as something abhorrent despite Darren Aronofsky’s assertion that it is an “</span><a href=\"https://www.hollywoodreporter.com/movies/movie-news/darren-aronofsky-the-whale-fat-suit-criticism-1235280523/\"><span style=\"font-weight: 400;\">an exercise in empathy</span></a><span style=\"font-weight: 400;\">”, but Fraser’s earnest performance in the A24 drama, a far cry from the action-man roles he used to play before heath issues halted his career, is still moving. His unexpected nomination for an Oscar has shaken up the race for Best Lead Actor. Full review </span><a href=\"https://www.dailymaverick.co.za/article/2023-01-31-the-whale-is-a-horror-film-that-taps-into-our-fear-of-fatness/\"><span style=\"font-weight: 400;\">here</span></a><span style=\"font-weight: 400;\">.</span>\r\n\r\n<span style=\"font-weight: 400;\">Showing in </span><a href=\"https://www.sterkinekor.com/details/HO00002596/whale-the\"><span style=\"font-weight: 400;\">cinemas</span></a><span style=\"font-weight: 400;\"> from 10 February</span>\r\n<h4 style=\"text-align: center;\"><strong>***</strong></h4>\r\n<h4>BAFTAS</h4>\r\n<strong>New feminist series and doccies</strong>\r\n\r\nRichard E Grant will host the <a href=\"https://www.youtube.com/watch?v=-suLmaRRPeQ\">76th British Academy Film Awards,</a> honouring the best national and foreign films of 2022, live from Southbank Centre’s Royal Festival Hall in London. The front-runner nominations are remarkably<a href=\"https://www.dailymaverick.co.za/article/2023-01-27-its-the-2023-oscar-nominations-week-here-are-the-highlights/\"> similar to that of the Oscars</a>: <em><a href=\"https://www.youtube.com/watch?v=hf8EYbVxtCY\">All Quiet on the Western Front</a></em> leading with 14, putting it on par with <em><a href=\"https://www.youtube.com/watch?v=-jTdOdcMKoY\">Crouching Tiger, Hidden Dragon</a></em> (2000) for the most nominated non-English language film in BAFTA history. <a href=\"https://www.youtube.com/watch?v=-jTdOdcMKoY\"><em>The Banshees of Inisherin</em></a> and <a href=\"https://www.youtube.com/watch?v=-jTdOdcMKoY\"><em>Everything Everywhere All at Once</em></a> are tied for second place with 10 nominations each. However, many of the other big titles at the Oscars made a remarkably small splash.\r\n\r\nStreaming Live on Britbox on 19 February\r\n\r\n<strong>The Exchange</strong>\r\n\r\nhttps://www.youtube.com/watch?v=-9W1W3qXnUk\r\n\r\n<span style=\"font-weight: 400;\">An Arabic-language series, based on the true story of two women who disrupted the male-dominated stock exchange in Kuwait. Frustrated by the cards she’s been dealt by a patriarchal society, Farida, a divorced housewife, wants to end her 13-year unemployment streak and prove that she can support her daughter independently. It’s the 1980s and the stock market is thriving, so with the help of her cousin Munira, who works as a clerk at the exchange, Farida becomes the first woman on the Kuwaiti Stock Exchange. </span>\r\n\r\n<span style=\"font-weight: 400;\">Streaming on </span><a href=\"https://www.netflix.com/title/81455844\"><span style=\"font-weight: 400;\">Netflix</span></a><span style=\"font-weight: 400;\"> from 8 February</span>\r\n\r\n<strong>Subjects of Desire</strong>\r\n\r\n<span style=\"font-weight: 400;\">A <a href=\"https://youtu.be/3VPvBmkIA-g\">provocative documentary</a> about the shift in American beauty standards towards embracing black female aesthetics and features, told by black women who challenge the beauty ideal. The film recaps the history of black bodies in the US and navigates sticky spaces like the intersection of appreciation and demeaning eroticisation. Beauty trends that pressure women to want bodacious booties, fuller lips and “ethnic” hairstyles suggest that Blackness has become incorporated into normative beauty standards, but others argue that these features are valued most in white women and the majority of the climb towards egalitarian desirability is still to come. </span>\r\n\r\n<span style=\"font-weight: 400;\">Streaming on </span><a href=\"https://www.showmax.com/eng/home\"><span style=\"font-weight: 400;\">Showmax</span></a><span style=\"font-weight: 400;\"> from 15 February</span>\r\n\r\n<strong>Julia</strong>\r\n\r\n<span style=\"font-weight: 400;\">A <a href=\"https://youtu.be/RZg5Wn05Rzw\">series</a> inspired by the extraordinary life of Julia Child who became an unlikely television star in her fifties as the host of her long-running pioneering cooking show, </span><i><span style=\"font-weight: 400;\">The French Chef</span></i><span style=\"font-weight: 400;\">. Sarah Lancashire embodies the charismatic feminist chef whose success despite the best efforts of the misogynistic men who made the rules plays out excitingly against the backdrop of the women’s movement and a pivotal period in American history. Coming to Showmax on the same day is a </span><a href=\"https://youtu.be/aon49topYHo\"><span style=\"font-weight: 400;\">documentary</span></a><span style=\"font-weight: 400;\"> about her (also called </span><i><span style=\"font-weight: 400;\">Julia</span></i><span style=\"font-weight: 400;\">) that uses unseen footage, first-person narratives and crisp food cinematography to tell Child’s story of success. </span>\r\n\r\n<span style=\"font-weight: 400;\">Streaming on </span><a href=\"https://www.showmax.com/eng/home\"><span style=\"font-weight: 400;\">Showmax</span></a><span style=\"font-weight: 400;\"> from 24 February</span>\r\n<h4 style=\"text-align: center;\"><strong>***</strong></h4>\r\n<h4>Something to keep your heart pumping</h4>\r\n<strong>The Lost Daughter</strong>\r\n\r\n<span style=\"font-weight: 400;\">Maggie Gyllenhaal’s feature directorial debut is a <a href=\"https://www.dailymaverick.co.za/article/2022-01-27-this-weekend-were-watching-the-lost-daughter-an-unpredictable-psychological-drama/\">cerebral psychological drama</a> honestly tackling the weight of parenthood, led by three talented women whose acting chops are as good as they get. If you missed it in cinemas you can now watch it on Showmax.</span>\r\n\r\n<span style=\"font-weight: 400;\">Streaming on </span><a href=\"https://www.showmax.com/eng/movie/fiw0927t-the-lost-daughter#:~:text=The%20Lost%20Daughter%20%2D%20Showmax&text=Olivia%20Colman%20and%20Dakota%20Johnson,her%20daughter%2C%20triggering%20old%20memories.\"><span style=\"font-weight: 400;\">Showmax</span></a><span style=\"font-weight: 400;\"> from 2 February</span>\r\n\r\n<strong>Unlocked</strong>\r\n\r\n<span style=\"font-weight: 400;\">A <a href=\"https://www.youtube.com/watch?v=k8qGElYoAoU\">South Korean thriller</a> based on the 2017 novel </span><i><span style=\"font-weight: 400;\">Sumaho o Otoshita dake</span></i><span style=\"font-weight: 400;\"> by Akira Shiga. An ordinary woman loses her smartphone on a bus ride home from work. A stranger finds it and returns it to her, but not before installing spyware that he uses to track every aspect of her daily life to be used as fuel in a sadistic manipulation. Dark and paranoid, it’s a film that gives you chills at the prospect of how easily such a thing could happen to you. </span>\r\n\r\n<span style=\"font-weight: 400;\">Streaming on </span><a href=\"https://www.netflix.com/za/title/80108451\"><span style=\"font-weight: 400;\">Netflix</span></a><span style=\"font-weight: 400;\"> from 17 February</span>\r\n\r\n<strong>Cocaine Bear</strong>\r\n\r\nhttps://www.youtube.com/watch?v=DuWEEKeJLMI\r\n\r\n<span style=\"font-weight: 400;\">It’s not yet clear how much creative licence director Elizabeth Banks has taken with the film, but the true story on which it’s based is so absolutely bizarre that it’s likely that she barely changed a thing. In December 1985 a notorious drug smuggler tried to lighten his overloaded plane by dropping a duffel bag full of $ 15-million worth of cocaine. The drugs were found by an American black bear and… eaten. Having consumed enough cocaine to fuel a busy night in Cape Town, the bear then went on a frantic killing spree. The film looks decidedly hilarious but given that the story is a true and rather tragic one, it’s likely to get a little harrowing as well.</span>\r\n\r\n<span style=\"font-weight: 400;\">Showing in </span><a href=\"https://www.sterkinekor.com/details/HO00002599/cocaine-bear\"><span style=\"font-weight: 400;\">cinemas</span></a><span style=\"font-weight: 400;\"> from 24 February</span>\r\n<h4 style=\"text-align: center;\"><strong>***</strong></h4>\r\n<h4>Romcom picks for Valentine’s Day</h4>\r\n<strong>Mark, Mary and Some Other People</strong>\r\n\r\nhttps://youtu.be/BnmnoFixAo0\r\n\r\n<span style=\"font-weight: 400;\">A sexy, playful romcom about ethical non-monogamy starring Ben Rosenfield (</span><i><span style=\"font-weight: 400;\">Boardwalk Empire</span></i><span style=\"font-weight: 400;\">) and Hayley Law (</span><i><span style=\"font-weight: 400;\">Riverdale, Altered Carbon</span></i><span style=\"font-weight: 400;\">). Director Hannah Marks has an eye for the complicated details that often get lost in relationship dramas. The mistakes and misunderstandings by her young polyamorous newlyweds seem like byproducts of immaturity, but the underlying power dynamics that cause them – pressure and expectations of one’s partner – are more universal and relatable.</span>\r\n\r\n<span style=\"font-weight: 400;\">Showing on </span><a href=\"https://www.google.com/search?q=mark+mary+and+some+other+people+showmax&oq=mark+mary+and+some+other+people+showmax&aqs=chrome..69i57j69i59l3.5748j0j4&sourceid=chrome&ie=UTF-8#:~:text=Mark%2C%20Mary%20and,eng%20%E2%80%BA%20movie%20%E2%80%BA%20dm2rnmhv...\"><span style=\"font-weight: 400;\">Showmax</span></a><span style=\"font-weight: 400;\"> from 9 February</span>\r\n\r\n<strong><i>Somebody I Used to Know</i></strong>\r\n\r\n<span style=\"font-weight: 400;\">Alison Brie stars in a <a href=\"https://www.youtube.com/watch?v=f497dkv3vfU\">romcom</a> she co-wrote with her husband, David Franco, who also directed it. Brie plays a workaholic who returns home after a career disaster and finds herself turning to her ex of 10 years for support. Brie’s mix of cringe comedy and wit gel well in a romcom – this should make for a good Valentine’s Day movie.</span>\r\n\r\n<span style=\"font-weight: 400;\">Showing on </span><a href=\"https://www.amazon.com/Somebody-Used-Know-Alison-Brie/dp/B0B8JKLW4W\"><span style=\"font-weight: 400;\">Prime Video</span></a><span style=\"font-weight: 400;\"> from 10 February. <strong>DM/</strong></span><b>ML</b>\r\n\r\n<i><span style=\"font-weight: 400;\">You can contact Keep An Eye Out via </span></i><a href=\"mailto:[email protected]\"><i><span style=\"font-weight: 400;\">[email protected]</span></i></a>",
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