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"contents": "<span style=\"font-weight: 400;\">Vi-fi, short for virus fiction, describes contemporary fiction that features the devastating events of world-changing outbreaks and epidemics. Rooted in science fiction, vi-fi draws on bio-thrilling realism and parallel worlds with multiple, dystopian possibilities.</span>\r\n\r\n<span style=\"font-weight: 400;\">Since 2020 there has been an exponential rise in vi-fi by a new Covid generation of authors who came out of isolation having experienced a pandemic in real time.</span>\r\n\r\n<span style=\"font-weight: 400;\">We </span><a href=\"https://open.spotify.com/show/4AlmyluJOBTdreBkx8YvX6\"><span style=\"font-weight: 400;\">present a podcast</span></a><span style=\"font-weight: 400;\">, Pandemic Pages, about the latest in pandemic fiction, and here are five books about Covid we’ll be looking out for this year:</span>\r\n\r\n<p><img loading=\"lazy\" class=\"size-full wp-image-2145480\" src=\"https://www.dailymaverick.co.za/wp-content/uploads/2024/04/P50Day1304.jpg\" alt=\"\" width=\"591\" height=\"953\" /> Day by Micheal Cunningham</p>\r\n<h4><b>Day by Michael Cunningham, released 18 January</b></h4>\r\n<span style=\"font-weight: 400;\">Published 25 years after his literary masterpiece, </span><i><span style=\"font-weight: 400;\">The Hours</span></i><span style=\"font-weight: 400;\">, Cunningham’s new book, </span><i><span style=\"font-weight: 400;\">Day</span></i><span style=\"font-weight: 400;\">, taps into the Covid genre’s sense of a distortion of time.</span>\r\n\r\n<span style=\"font-weight: 400;\">The plot recounts the troubles of married couple Dan and Isabel and their children, Nathan and Violet, and Isabel’s younger wayward brother, who lives a secret life on Instagram in the attic, as they navigate the pressures of lockdown in a brownstone townhouse in Brooklyn.</span>\r\n\r\n<span style=\"font-weight: 400;\">The narrative is built around the events of three separate days, each a year apart. The first is just as the pandemic is about to hit in 2019, the second during the middle of the lockdown in 2020, and the third as they are coming out of the lockdown in April 2021.</span>\r\n\r\n<span style=\"font-weight: 400;\">Covid is never mentioned by name, but the narrative promises tumultuous themes of incarceration and isolation, the extremely difficult accommodations that families had to make, and the ways that so much is left unspoken between people.</span>\r\n<h4><b>Fourteen Days by Margaret Atwood and Douglas Preston, released 6 February</b></h4>\r\n<span style=\"font-weight: 400;\">This much-anticipated collaborative pandemic novel is inspired by Italian Renaissance writer Giovanni Boccaccio’s book </span><i><span style=\"font-weight: 400;\">The Decameron</span></i><span style=\"font-weight: 400;\"> (1353) and a short story collection by </span><i><span style=\"font-weight: 400;\">The New York Times</span></i><span style=\"font-weight: 400;\"> called </span><i><span style=\"font-weight: 400;\">The Decameron Project</span></i><span style=\"font-weight: 400;\"> (2020).</span>\r\n\r\n<span style=\"font-weight: 400;\">Beginning in the first week of lockdown in March 2020, the narrative takes place in a run-down New York City apartment complex where tenants share stories on the rooftop.</span>\r\n\r\n<span style=\"font-weight: 400;\">The book features different chapters written by A-list authors such as Emma Donoghue (</span><i><span style=\"font-weight: 400;\">Pull of the Stars</span></i><span style=\"font-weight: 400;\">), John Grisham, Celeste Ng (</span><i><span style=\"font-weight: 400;\">Little Fires Everywhere</span></i><span style=\"font-weight: 400;\">) and Weike Wang (</span><i><span style=\"font-weight: 400;\">Joan Is Okay</span></i><span style=\"font-weight: 400;\">).</span>\r\n\r\n<span style=\"font-weight: 400;\">The book vows to be packed with secrets, ghost tales and sensational revelations from self-isolation when the residents’ outlook on their situation is forever altered by the story of the newest, anonymous tenant: the Super.</span>\r\n<h4><b>Blue Ruin by Hari Kunzru, released 16 May</b></h4>\r\n<span style=\"font-weight: 400;\">Kunzru’s portrait of the pandemic is tipped to be the most gripping Covid-noir novel yet.</span>\r\n\r\n<span style=\"font-weight: 400;\">Twenty years after graduating from a London art school, Jay is working as a delivery driver in New York in 2020. Having just returned to work after the first lockdown, he unknowingly collapses on the porch of an enormous mansion in the middle of a remote woodland. There, his former lover from art school, Alice, is living with Rob, the man she left him for, who was also his former best friend, as well as with Marshal, a gallery owner, and his girlfriend.</span>\r\n\r\n<span style=\"font-weight: 400;\">Exhausted with sickness, Jay is confronted by the personal history he has tried to shove into the rear-view mirror. But this chance encounter in the middle of lockdown begins to unravel the secrets of his darkly destructive past, with fateful consequences.</span>\r\n<h4><b>Dear Dickhead by Virginie Despentes, translated by Frank Wynne, released in September</b></h4>\r\n<a href=\"https://pledgetimes.com/virginie-despentes-on-dear-asshole-be-radical-with-ideals/\"><span style=\"font-weight: 400;\">Dubbed</span></a><span style=\"font-weight: 400;\"> “a French punk on the literary scene” and the “literary Balzac”, Virginie Despentes – who was shortlisted for the Man Booker International Prize 2018 for her novel </span><i><span style=\"font-weight: 400;\">Vernon Subutex 1</span></i><span style=\"font-weight: 400;\"> – takes on #MeToo, Covid and social media cancel culture in her new book.</span>\r\n\r\n<span style=\"font-weight: 400;\">A writer threatened by the public scrutiny of his “flirtations” with women, Oskar Jayack, finds himself at the centre of Instagram hate when he rants on social media about the 50-year-old declining actress, Rebecca Latte, blaspheming her in a string of brutal insults that denigrates her as a dirty, worn-out, loud old woman.</span>\r\n\r\n<span style=\"font-weight: 400;\">Despentes uses email exchanges between the characters, but the author’s real message comments on a string of modern social problems: transphobia, addiction, abuse and the effects of Covid policies.</span>\r\n\r\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-2145481\" src=\"https://www.dailymaverick.co.za/wp-content/uploads/2024/04/Real-Americans-by-Rachel-Khong.jpg\" alt=\"\" width=\"720\" height=\"1073\" />\r\n<h4><b>Real Americans by Rachel Khong, published 30 April</b></h4>\r\n<span style=\"font-weight: 400;\">Khong’s take on the popular genre of generational saga ushers us into the past, across three continents and on to a post-pandemic Washington island.</span>\r\n\r\n<span style=\"font-weight: 400;\">This is an expansive social novel about the lives of three members of a Chinese American family, spanning 70 years: May (who we meet in 2030), Lily (in 2000) and Nick Chen (in 2021).</span>\r\n\r\n<span style=\"font-weight: 400;\">Nick is only 15, but he can’t help feeling that his mother, Lily, is hiding something from him. The only thing Nick knows about himself is that his dad is white and has never wanted to be in his life. He sets out to search for his biological father and get some answers.</span>\r\n\r\n<span style=\"font-weight: 400;\">Khong queries modern concerns through questions that plague her cast of characters. How much of our lives come from a spark of chance? Are we destined, or made, and if so, who gets to do the making? What makes a real American? </span><b>DM <iframe style=\"border: none !important;\" src=\"https://counter.theconversation.com/content/221183/count.gif?distributor=republish-lightbox-advanced\" width=\"1\" height=\"1\"></iframe></b>\r\n\r\n<i><span style=\"font-weight: 400;\">First published by</span></i> <a href=\"https://theconversation.com/five-books-about-the-covid-pandemic-to-look-out-for-in-2024-221183\"><span style=\"font-weight: 400;\">The Conversation</span></a><span style=\"font-weight: 400;\">.</span>\r\n\r\n<i><span style=\"font-weight: 400;\">Lucyl Harrison is a PhD candidate in the School of Humanities at the University of Hull; Catherine Wynne is an associate dean for research and enterprise in the Faculty of Arts, Cultures and Education at the University of Hull.</span></i>\r\n\r\n<i><span style=\"font-weight: 400;\">This story first appeared in our weekly </span></i><span style=\"font-weight: 400;\">Daily Maverick 168</span><i><span style=\"font-weight: 400;\"> newspaper, which is available countrywide for R35.</span></i>\r\n\r\n<img loading=\"lazy\" class=\"alignnone size-full wp-image-2131847\" src=\"https://www.dailymaverick.co.za/wp-content/uploads/2024/04/DM-13042024-001.jpg\" alt=\"\" width=\"720\" height=\"947\" />",
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"description": "<span style=\"font-weight: 400;\">Vi-fi, short for virus fiction, describes contemporary fiction that features the devastating events of world-changing outbreaks and epidemics. Rooted in science fiction, vi-fi draws on bio-thrilling realism and parallel worlds with multiple, dystopian possibilities.</span>\r\n\r\n<span style=\"font-weight: 400;\">Since 2020 there has been an exponential rise in vi-fi by a new Covid generation of authors who came out of isolation having experienced a pandemic in real time.</span>\r\n\r\n<span style=\"font-weight: 400;\">We </span><a href=\"https://open.spotify.com/show/4AlmyluJOBTdreBkx8YvX6\"><span style=\"font-weight: 400;\">present a podcast</span></a><span style=\"font-weight: 400;\">, Pandemic Pages, about the latest in pandemic fiction, and here are five books about Covid we’ll be looking out for this year:</span>\r\n\r\n[caption id=\"attachment_2145480\" align=\"alignnone\" width=\"591\"]<img class=\"size-full wp-image-2145480\" src=\"https://www.dailymaverick.co.za/wp-content/uploads/2024/04/P50Day1304.jpg\" alt=\"\" width=\"591\" height=\"953\" /> Day by Micheal Cunningham[/caption]\r\n<h4><b>Day by Michael Cunningham, released 18 January</b></h4>\r\n<span style=\"font-weight: 400;\">Published 25 years after his literary masterpiece, </span><i><span style=\"font-weight: 400;\">The Hours</span></i><span style=\"font-weight: 400;\">, Cunningham’s new book, </span><i><span style=\"font-weight: 400;\">Day</span></i><span style=\"font-weight: 400;\">, taps into the Covid genre’s sense of a distortion of time.</span>\r\n\r\n<span style=\"font-weight: 400;\">The plot recounts the troubles of married couple Dan and Isabel and their children, Nathan and Violet, and Isabel’s younger wayward brother, who lives a secret life on Instagram in the attic, as they navigate the pressures of lockdown in a brownstone townhouse in Brooklyn.</span>\r\n\r\n<span style=\"font-weight: 400;\">The narrative is built around the events of three separate days, each a year apart. The first is just as the pandemic is about to hit in 2019, the second during the middle of the lockdown in 2020, and the third as they are coming out of the lockdown in April 2021.</span>\r\n\r\n<span style=\"font-weight: 400;\">Covid is never mentioned by name, but the narrative promises tumultuous themes of incarceration and isolation, the extremely difficult accommodations that families had to make, and the ways that so much is left unspoken between people.</span>\r\n<h4><b>Fourteen Days by Margaret Atwood and Douglas Preston, released 6 February</b></h4>\r\n<span style=\"font-weight: 400;\">This much-anticipated collaborative pandemic novel is inspired by Italian Renaissance writer Giovanni Boccaccio’s book </span><i><span style=\"font-weight: 400;\">The Decameron</span></i><span style=\"font-weight: 400;\"> (1353) and a short story collection by </span><i><span style=\"font-weight: 400;\">The New York Times</span></i><span style=\"font-weight: 400;\"> called </span><i><span style=\"font-weight: 400;\">The Decameron Project</span></i><span style=\"font-weight: 400;\"> (2020).</span>\r\n\r\n<span style=\"font-weight: 400;\">Beginning in the first week of lockdown in March 2020, the narrative takes place in a run-down New York City apartment complex where tenants share stories on the rooftop.</span>\r\n\r\n<span style=\"font-weight: 400;\">The book features different chapters written by A-list authors such as Emma Donoghue (</span><i><span style=\"font-weight: 400;\">Pull of the Stars</span></i><span style=\"font-weight: 400;\">), John Grisham, Celeste Ng (</span><i><span style=\"font-weight: 400;\">Little Fires Everywhere</span></i><span style=\"font-weight: 400;\">) and Weike Wang (</span><i><span style=\"font-weight: 400;\">Joan Is Okay</span></i><span style=\"font-weight: 400;\">).</span>\r\n\r\n<span style=\"font-weight: 400;\">The book vows to be packed with secrets, ghost tales and sensational revelations from self-isolation when the residents’ outlook on their situation is forever altered by the story of the newest, anonymous tenant: the Super.</span>\r\n<h4><b>Blue Ruin by Hari Kunzru, released 16 May</b></h4>\r\n<span style=\"font-weight: 400;\">Kunzru’s portrait of the pandemic is tipped to be the most gripping Covid-noir novel yet.</span>\r\n\r\n<span style=\"font-weight: 400;\">Twenty years after graduating from a London art school, Jay is working as a delivery driver in New York in 2020. Having just returned to work after the first lockdown, he unknowingly collapses on the porch of an enormous mansion in the middle of a remote woodland. There, his former lover from art school, Alice, is living with Rob, the man she left him for, who was also his former best friend, as well as with Marshal, a gallery owner, and his girlfriend.</span>\r\n\r\n<span style=\"font-weight: 400;\">Exhausted with sickness, Jay is confronted by the personal history he has tried to shove into the rear-view mirror. But this chance encounter in the middle of lockdown begins to unravel the secrets of his darkly destructive past, with fateful consequences.</span>\r\n<h4><b>Dear Dickhead by Virginie Despentes, translated by Frank Wynne, released in September</b></h4>\r\n<a href=\"https://pledgetimes.com/virginie-despentes-on-dear-asshole-be-radical-with-ideals/\"><span style=\"font-weight: 400;\">Dubbed</span></a><span style=\"font-weight: 400;\"> “a French punk on the literary scene” and the “literary Balzac”, Virginie Despentes – who was shortlisted for the Man Booker International Prize 2018 for her novel </span><i><span style=\"font-weight: 400;\">Vernon Subutex 1</span></i><span style=\"font-weight: 400;\"> – takes on #MeToo, Covid and social media cancel culture in her new book.</span>\r\n\r\n<span style=\"font-weight: 400;\">A writer threatened by the public scrutiny of his “flirtations” with women, Oskar Jayack, finds himself at the centre of Instagram hate when he rants on social media about the 50-year-old declining actress, Rebecca Latte, blaspheming her in a string of brutal insults that denigrates her as a dirty, worn-out, loud old woman.</span>\r\n\r\n<span style=\"font-weight: 400;\">Despentes uses email exchanges between the characters, but the author’s real message comments on a string of modern social problems: transphobia, addiction, abuse and the effects of Covid policies.</span>\r\n\r\n<img class=\"alignnone size-full wp-image-2145481\" src=\"https://www.dailymaverick.co.za/wp-content/uploads/2024/04/Real-Americans-by-Rachel-Khong.jpg\" alt=\"\" width=\"720\" height=\"1073\" />\r\n<h4><b>Real Americans by Rachel Khong, published 30 April</b></h4>\r\n<span style=\"font-weight: 400;\">Khong’s take on the popular genre of generational saga ushers us into the past, across three continents and on to a post-pandemic Washington island.</span>\r\n\r\n<span style=\"font-weight: 400;\">This is an expansive social novel about the lives of three members of a Chinese American family, spanning 70 years: May (who we meet in 2030), Lily (in 2000) and Nick Chen (in 2021).</span>\r\n\r\n<span style=\"font-weight: 400;\">Nick is only 15, but he can’t help feeling that his mother, Lily, is hiding something from him. The only thing Nick knows about himself is that his dad is white and has never wanted to be in his life. He sets out to search for his biological father and get some answers.</span>\r\n\r\n<span style=\"font-weight: 400;\">Khong queries modern concerns through questions that plague her cast of characters. How much of our lives come from a spark of chance? Are we destined, or made, and if so, who gets to do the making? What makes a real American? </span><b>DM <iframe style=\"border: none !important;\" src=\"https://counter.theconversation.com/content/221183/count.gif?distributor=republish-lightbox-advanced\" width=\"1\" height=\"1\"></iframe></b>\r\n\r\n<i><span style=\"font-weight: 400;\">First published by</span></i> <a href=\"https://theconversation.com/five-books-about-the-covid-pandemic-to-look-out-for-in-2024-221183\"><span style=\"font-weight: 400;\">The Conversation</span></a><span style=\"font-weight: 400;\">.</span>\r\n\r\n<i><span style=\"font-weight: 400;\">Lucyl Harrison is a PhD candidate in the School of Humanities at the University of Hull; Catherine Wynne is an associate dean for research and enterprise in the Faculty of Arts, Cultures and Education at the University of Hull.</span></i>\r\n\r\n<i><span style=\"font-weight: 400;\">This story first appeared in our weekly </span></i><span style=\"font-weight: 400;\">Daily Maverick 168</span><i><span style=\"font-weight: 400;\"> newspaper, which is available countrywide for R35.</span></i>\r\n\r\n<img class=\"alignnone size-full wp-image-2131847\" src=\"https://www.dailymaverick.co.za/wp-content/uploads/2024/04/DM-13042024-001.jpg\" alt=\"\" width=\"720\" height=\"947\" />",
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