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"contents": "<span style=\"font-weight: 400;\">He played Van in the 2017 movie</span><i><span style=\"font-weight: 400;\"> Van der Merwe</span></i><span style=\"font-weight: 400;\">. And last year he starred in the stage adaptation of the Booker Prize-winning novel, </span><i><span style=\"font-weight: 400;\">The Promise</span></i><span style=\"font-weight: 400;\">. His versatility as a performer is immense, yet to most South Africans Rob van Vuuren is best known as a stand-up comedian and for creating cartoonish characters such as one half of the deranged duo, Corné and Twakkie, and his whacky alternative guru social media sensation, Namaste Bae. </span>\r\n\r\n<span style=\"font-weight: 400;\">Whether you know him from TV or movies, from the stage or from your Instagram feed, the plucky (and these days frequently half-naked) actor-comedian says he owes his career to the National Arts Festival. It was there, he says, that he was awakened to the very possibility of being a performer. </span>\r\n\r\n<span style=\"font-weight: 400;\">Attending the festival as a schoolboy made him realise that his creative instincts could in fact become the single-minded focus of a professional career. </span>\r\n\r\n<span style=\"font-weight: 400;\">“I’m kind of intimately tied into the festival,” he says. “It’s an intrinsic part of how I view myself as an artist.” </span>\r\n\r\n<span style=\"font-weight: 400;\">He was in high school, when his mother, who’d gone to the festival, called him to tell him about what she’d seen, and about the musicians she’d heard live. As she fed him a “hint of what this ‘arts festival’ thing was all about”, he was in awe.</span>\r\n\r\n<span style=\"font-weight: 400;\">The following year, still a schoolboy, he went with his mother. “It fundamentally changed my life,” he says. “I felt like I’d found my tribe. It made sense. I fitted in.”</span>\r\n\r\n<span style=\"font-weight: 400;\">He says the festival was where he first saw many of the artists who became his heroes and mentors. “As a kid I saw such incredible things. From Johannes Kerkorrel performing songs from his </span><i><span style=\"font-weight: 400;\">Bloudruk</span></i><span style=\"font-weight: 400;\"> album to seeing Theatre for Africa and all those </span><i><span style=\"font-weight: 400;\">Raiders</span></i><span style=\"font-weight: 400;\"> shows. And watching Andrew Buckland perform for the first time… All of it was mind-blowing for me.”</span>\r\n\r\n<span style=\"font-weight: 400;\">Buckland, who created some of the best physical theatre to have come out of South Africa, was for many years a lecturer at Rhodes University’s Drama Department, where Van Vuuren went to pursue his hope of becoming an actor. </span>\r\n\r\n<span style=\"font-weight: 400;\">At drama school there were more pivotal moments, including a failed audition for the student festival production in his second year. “It was being directed by Andrew Buckland and I put all my effort into it and I was like, ‘This is it! I’m gonna get into this play!’”</span>\r\n\r\n<span style=\"font-weight: 400;\">But he did not. </span>\r\n\r\n<span style=\"font-weight: 400;\">“I completely screwed up my audition. I didn’t get the part. In fact, my good friend got the part. My other friend, Bevan Cullinan, also auditioned and also didn’t get the part. So Bevan and I decided, ‘Let’s just write our own play for the festival. Why should we wait to be cast in the department’s production?’”</span>\r\n\r\n<span style=\"font-weight: 400;\">Which they did. </span>\r\n\r\n<span style=\"font-weight: 400;\">“We wrote a play called </span><i><span style=\"font-weight: 400;\">Squadron Marmite</span></i><span style=\"font-weight: 400;\">, which was this kind of existential, absurdist, physical comedy, clowning show which Andrew Buckland helped us out with. We put our show on under our own steam, knowing absolutely nothing and with just one year’s drama department training behind us.”</span>\r\n\r\n<span style=\"font-weight: 400;\">Van Vuuren says it was the second time the festival changed his life.</span>\r\n\r\n<span style=\"font-weight: 400;\">“It made me realise that you can actually kind of put the power in your own hands. You can take control and you can also make the kind of stuff you want to be in. So, in a way, that helped set my career in motion.”</span>\r\n\r\n<p><img loading=\"lazy\" class=\"size-full wp-image-2246630\" src=\"https://www.dailymaverick.co.za/wp-content/uploads/2024/06/In-all-his-glory-and-now-with-extra-yoga-powered-stark-raving-lunacy-Rob-van-Vuuren-as-Namaste-Bae-in-Makhanda-this-month-for-the-National-Arts-Festival-Picture-Nardus-Engelbrecht.jpg\" alt=\"Rob van Vuuren\" width=\"2560\" height=\"1768\" /> <em>In all his glory, and now with extra yoga-powered stark-raving lunacy, Rob van Vuuren as Namaste Bae, in Makhanda this month for the National Arts Festival (Photo: Nardus Engelbrecht)</em></p>\r\n\r\n<span style=\"font-weight: 400;\">Part of that early-career high was his first one-man show, </span><i><span style=\"font-weight: 400;\">Mung</span></i><span style=\"font-weight: 400;\">, which received great reviews and did well with audiences. It was such a success, says Van Vuuren, that he returned the following year with another one-man show, convinced it would be another smash hit. “I thought I was going to rule the roost, make it even bigger and better at the festival.” </span>\r\n\r\n<span style=\"font-weight: 400;\">But his predictions were way off. “I had to cancel my first performance because there were no bookings.” </span>\r\n\r\n<span style=\"font-weight: 400;\">And the following show wasn’t much better. “My second performance had two bookings: my parents. They talked all the way through. But I had to do it anyway, because I needed to get some practice in. That was humbling.”</span>\r\n\r\n<span style=\"font-weight: 400;\">Van Vuuren says there is nothing glamorous about the festival. It’s a very hands-on, everyone-working-hard-together kind of event, where audiences barely know a fraction of the behind-the-scenes shenanigans.</span>\r\n\r\n<span style=\"font-weight: 400;\">One particularly “fond” – and, with hindsight, hilarious – episode from the festival about 20 years ago almost ended in tragedy. </span>\r\n\r\n<span style=\"font-weight: 400;\">“I was doing a show called </span><i><span style=\"font-weight: 400;\">Bangalore Torpedo</span></i><span style=\"font-weight: 400;\">. It was directed by Jaco Bouwer and I was acting opposite José Domingos and there was a lot of sand on stage. We had sand covering tables and props, sand on pretty much everything. For the end of the play, there was this rain machine, by which I mean we had a plastic packet with holes in it. It was so we could create this beautiful final image of rain coming down onto the sand. </span>\r\n\r\n<span style=\"font-weight: 400;\">“But then the sand was wet, you see? And it needed to be dry for the next show. So we needed to figure out a way to dry the sand each night. We tried cooking the sand in pots at our accommodation. That took too long. So we made a braai and cooked the sand on the fire. That also took too long. </span>\r\n\r\n<span style=\"font-weight: 400;\">“Then José had the brilliant idea of burning the sand with benzene. We kind of spread the sand out on the ground next to the venue. And the idea was that one of us had the bottle of benzene, and one of us had the matches. And I would throw the matches at the benzene and it would go ‘poof’ – and instantly dry the sand. </span>\r\n\r\n<span style=\"font-weight: 400;\">“It was working just fine until suddenly there was an unbroken stream of benzene from the sand to the bottle and the flame shot up into José’s hand with the bottle of benzene in it. He screamed and threw it at me and it exploded around my ankles and my ass caught fire. So that’s a fond memory. I suppose the short version of that story is the time when I set my ass on fire drying sand for </span><i><span style=\"font-weight: 400;\">Bangalore Torpedo</span></i><span style=\"font-weight: 400;\"> with José Domingos.”</span>\r\n\r\n<span style=\"font-weight: 400;\">There was also one year when his deliberately brash and hyper-zef mullet-and-moustache character, Twakkie, embarked at a tongue-in-cheek protest. He and fellow rabble-rouser Corné (actor Louw Venter) staged a march on the office of the festival’s then CEO, Tony Lankester, and made him listen to a list of ridiculous demands (including “less Shakespeare” and “more </span><i><span style=\"font-weight: 400;\">Knight Rider</span></i><span style=\"font-weight: 400;\">”). </span>\r\n\r\n<span style=\"font-weight: 400;\">It was preposterous, but it served its purpose: it drew attention, made festival attendees laugh and frown and pay attention. It brought some useful hype to the festival and reminded everyone that it was a place of fun, where artists could have their say without censorship or rebuke. </span>\r\n\r\n<span style=\"font-weight: 400;\">Since 2007, Van Vuuren has been a key figure in </span><i><span style=\"font-weight: 400;\">The Very Big Comedy Show</span></i><span style=\"font-weight: 400;\">, a stand-up comedy lineup show that’s central to the main festival. </span>\r\n\r\n<span style=\"font-weight: 400;\">“It’s a selection of some of the best comedians in the country who are at the festival,” he says. </span>\r\n\r\n<span style=\"font-weight: 400;\">“This year we’re bringing Siya Seya who is an Eastern Cape comedian based in Gqeberha and who is one of the funniest human beings on the planet.”</span>\r\n\r\n<span style=\"font-weight: 400;\">Van Vuuren was even part of the festival during the two-year Covid hiatus, when the in-person event did not take place. “The first lockdown we performed online,” he says. “It was a time when there was no other income for performers and the festival was one of the only ways I could actually make any money. It was my lifeline. In 2021 we went to Makhanda with special permits and filmed an online show at the monument which was a bizarre experience.”</span>\r\n\r\n<span style=\"font-weight: 400;\">The irony was that, in 2019, Van Vuuren had sworn that he would be taking a leave of absence from Makhanda. “That year I even made a little fake newspaper that I distributed during the festival, saying something like ‘Thanks for all the good times, but I need to take a break!’”</span>\r\n\r\n<span style=\"font-weight: 400;\">Because he did not in fact take a break, this year is Van Vuuren’s 30th back-to-back festival as a performer. Apart from hosting and MCing </span><i><span style=\"font-weight: 400;\">The Very Big Comedy Show</span></i><span style=\"font-weight: 400;\">, he is also putting on three performances of </span><i><span style=\"font-weight: 400;\">Namaste Bae</span></i><span style=\"font-weight: 400;\">, a kind of stand-up comedy crossover show in which he channels the wayward energy of a deranged New Age guru dressed in very little apart from a loincloth fashioned from a kikoi.</span>\r\n\r\n<span style=\"font-weight: 400;\">The show, which grew out of character-driven sketches that became a viral Instagram and TikTok sensation, won the Standard Bank Gold Ovation Award at last year’s festival. It includes some extremely ribald audience interaction and, depending on your tolerance for having a half-naked man on your lap, some intense intimacy.</span>\r\n\r\n<span style=\"font-weight: 400;\">Despite all the hard slog and the bittersweet “fond” memories of attending the festival as a performer, Van Vuuren says the real reward for being there is the chance to watch so many fantastic shows. “What always gets me about the festival is that I know I will always see something that will blow my mind away,” he says.</span>\r\n\r\n<span style=\"font-weight: 400;\">He says that, in recent years, he’s tried to watch more shows and perform less. “I’ve seen some of the most incredible performances in my life there, and I continue to do so. That’s the real thrill of it, and those are the most cherished memories, I think – sitting in the audience and being transported.”</span>\r\n\r\n<span style=\"font-weight: 400;\">This year, he says he is having a kind of a full-circle experience. </span>\r\n\r\n<span style=\"font-weight: 400;\">“My mom is at the festival with me, and my daughter is here too. We’re doing a whole road trip. It’s a full-on ‘circle of life’ thing for me, returning to the festival for my 30th year as a performer, with my mom who introduced me to the festival and who brought me here for the first time all those years ago when I was in Standard Eight.” </span><b>DM</b>\r\n\r\n<i><span style=\"font-weight: 400;\">The 50th iteration of the </span></i><a href=\"http://nationalartsfestival.co.za\"><i><span style=\"font-weight: 400;\">National Arts Festival</span></i></a><i><span style=\"font-weight: 400;\"> in Makhanda runs until 30 June.</span></i>",
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"description": "<span style=\"font-weight: 400;\">He played Van in the 2017 movie</span><i><span style=\"font-weight: 400;\"> Van der Merwe</span></i><span style=\"font-weight: 400;\">. And last year he starred in the stage adaptation of the Booker Prize-winning novel, </span><i><span style=\"font-weight: 400;\">The Promise</span></i><span style=\"font-weight: 400;\">. His versatility as a performer is immense, yet to most South Africans Rob van Vuuren is best known as a stand-up comedian and for creating cartoonish characters such as one half of the deranged duo, Corné and Twakkie, and his whacky alternative guru social media sensation, Namaste Bae. </span>\r\n\r\n<span style=\"font-weight: 400;\">Whether you know him from TV or movies, from the stage or from your Instagram feed, the plucky (and these days frequently half-naked) actor-comedian says he owes his career to the National Arts Festival. It was there, he says, that he was awakened to the very possibility of being a performer. </span>\r\n\r\n<span style=\"font-weight: 400;\">Attending the festival as a schoolboy made him realise that his creative instincts could in fact become the single-minded focus of a professional career. </span>\r\n\r\n<span style=\"font-weight: 400;\">“I’m kind of intimately tied into the festival,” he says. “It’s an intrinsic part of how I view myself as an artist.” </span>\r\n\r\n<span style=\"font-weight: 400;\">He was in high school, when his mother, who’d gone to the festival, called him to tell him about what she’d seen, and about the musicians she’d heard live. As she fed him a “hint of what this ‘arts festival’ thing was all about”, he was in awe.</span>\r\n\r\n<span style=\"font-weight: 400;\">The following year, still a schoolboy, he went with his mother. “It fundamentally changed my life,” he says. “I felt like I’d found my tribe. It made sense. I fitted in.”</span>\r\n\r\n<span style=\"font-weight: 400;\">He says the festival was where he first saw many of the artists who became his heroes and mentors. “As a kid I saw such incredible things. From Johannes Kerkorrel performing songs from his </span><i><span style=\"font-weight: 400;\">Bloudruk</span></i><span style=\"font-weight: 400;\"> album to seeing Theatre for Africa and all those </span><i><span style=\"font-weight: 400;\">Raiders</span></i><span style=\"font-weight: 400;\"> shows. And watching Andrew Buckland perform for the first time… All of it was mind-blowing for me.”</span>\r\n\r\n<span style=\"font-weight: 400;\">Buckland, who created some of the best physical theatre to have come out of South Africa, was for many years a lecturer at Rhodes University’s Drama Department, where Van Vuuren went to pursue his hope of becoming an actor. </span>\r\n\r\n<span style=\"font-weight: 400;\">At drama school there were more pivotal moments, including a failed audition for the student festival production in his second year. “It was being directed by Andrew Buckland and I put all my effort into it and I was like, ‘This is it! I’m gonna get into this play!’”</span>\r\n\r\n<span style=\"font-weight: 400;\">But he did not. </span>\r\n\r\n<span style=\"font-weight: 400;\">“I completely screwed up my audition. I didn’t get the part. In fact, my good friend got the part. My other friend, Bevan Cullinan, also auditioned and also didn’t get the part. So Bevan and I decided, ‘Let’s just write our own play for the festival. Why should we wait to be cast in the department’s production?’”</span>\r\n\r\n<span style=\"font-weight: 400;\">Which they did. </span>\r\n\r\n<span style=\"font-weight: 400;\">“We wrote a play called </span><i><span style=\"font-weight: 400;\">Squadron Marmite</span></i><span style=\"font-weight: 400;\">, which was this kind of existential, absurdist, physical comedy, clowning show which Andrew Buckland helped us out with. We put our show on under our own steam, knowing absolutely nothing and with just one year’s drama department training behind us.”</span>\r\n\r\n<span style=\"font-weight: 400;\">Van Vuuren says it was the second time the festival changed his life.</span>\r\n\r\n<span style=\"font-weight: 400;\">“It made me realise that you can actually kind of put the power in your own hands. You can take control and you can also make the kind of stuff you want to be in. So, in a way, that helped set my career in motion.”</span>\r\n\r\n[caption id=\"attachment_2246630\" align=\"alignnone\" width=\"2560\"]<img class=\"size-full wp-image-2246630\" src=\"https://www.dailymaverick.co.za/wp-content/uploads/2024/06/In-all-his-glory-and-now-with-extra-yoga-powered-stark-raving-lunacy-Rob-van-Vuuren-as-Namaste-Bae-in-Makhanda-this-month-for-the-National-Arts-Festival-Picture-Nardus-Engelbrecht.jpg\" alt=\"Rob van Vuuren\" width=\"2560\" height=\"1768\" /> <em>In all his glory, and now with extra yoga-powered stark-raving lunacy, Rob van Vuuren as Namaste Bae, in Makhanda this month for the National Arts Festival (Photo: Nardus Engelbrecht)</em>[/caption]\r\n\r\n<span style=\"font-weight: 400;\">Part of that early-career high was his first one-man show, </span><i><span style=\"font-weight: 400;\">Mung</span></i><span style=\"font-weight: 400;\">, which received great reviews and did well with audiences. It was such a success, says Van Vuuren, that he returned the following year with another one-man show, convinced it would be another smash hit. “I thought I was going to rule the roost, make it even bigger and better at the festival.” </span>\r\n\r\n<span style=\"font-weight: 400;\">But his predictions were way off. “I had to cancel my first performance because there were no bookings.” </span>\r\n\r\n<span style=\"font-weight: 400;\">And the following show wasn’t much better. “My second performance had two bookings: my parents. They talked all the way through. But I had to do it anyway, because I needed to get some practice in. That was humbling.”</span>\r\n\r\n<span style=\"font-weight: 400;\">Van Vuuren says there is nothing glamorous about the festival. It’s a very hands-on, everyone-working-hard-together kind of event, where audiences barely know a fraction of the behind-the-scenes shenanigans.</span>\r\n\r\n<span style=\"font-weight: 400;\">One particularly “fond” – and, with hindsight, hilarious – episode from the festival about 20 years ago almost ended in tragedy. </span>\r\n\r\n<span style=\"font-weight: 400;\">“I was doing a show called </span><i><span style=\"font-weight: 400;\">Bangalore Torpedo</span></i><span style=\"font-weight: 400;\">. It was directed by Jaco Bouwer and I was acting opposite José Domingos and there was a lot of sand on stage. We had sand covering tables and props, sand on pretty much everything. For the end of the play, there was this rain machine, by which I mean we had a plastic packet with holes in it. It was so we could create this beautiful final image of rain coming down onto the sand. </span>\r\n\r\n<span style=\"font-weight: 400;\">“But then the sand was wet, you see? And it needed to be dry for the next show. So we needed to figure out a way to dry the sand each night. We tried cooking the sand in pots at our accommodation. That took too long. So we made a braai and cooked the sand on the fire. That also took too long. </span>\r\n\r\n<span style=\"font-weight: 400;\">“Then José had the brilliant idea of burning the sand with benzene. We kind of spread the sand out on the ground next to the venue. And the idea was that one of us had the bottle of benzene, and one of us had the matches. And I would throw the matches at the benzene and it would go ‘poof’ – and instantly dry the sand. </span>\r\n\r\n<span style=\"font-weight: 400;\">“It was working just fine until suddenly there was an unbroken stream of benzene from the sand to the bottle and the flame shot up into José’s hand with the bottle of benzene in it. He screamed and threw it at me and it exploded around my ankles and my ass caught fire. So that’s a fond memory. I suppose the short version of that story is the time when I set my ass on fire drying sand for </span><i><span style=\"font-weight: 400;\">Bangalore Torpedo</span></i><span style=\"font-weight: 400;\"> with José Domingos.”</span>\r\n\r\n<span style=\"font-weight: 400;\">There was also one year when his deliberately brash and hyper-zef mullet-and-moustache character, Twakkie, embarked at a tongue-in-cheek protest. He and fellow rabble-rouser Corné (actor Louw Venter) staged a march on the office of the festival’s then CEO, Tony Lankester, and made him listen to a list of ridiculous demands (including “less Shakespeare” and “more </span><i><span style=\"font-weight: 400;\">Knight Rider</span></i><span style=\"font-weight: 400;\">”). </span>\r\n\r\n<span style=\"font-weight: 400;\">It was preposterous, but it served its purpose: it drew attention, made festival attendees laugh and frown and pay attention. It brought some useful hype to the festival and reminded everyone that it was a place of fun, where artists could have their say without censorship or rebuke. </span>\r\n\r\n<span style=\"font-weight: 400;\">Since 2007, Van Vuuren has been a key figure in </span><i><span style=\"font-weight: 400;\">The Very Big Comedy Show</span></i><span style=\"font-weight: 400;\">, a stand-up comedy lineup show that’s central to the main festival. </span>\r\n\r\n<span style=\"font-weight: 400;\">“It’s a selection of some of the best comedians in the country who are at the festival,” he says. </span>\r\n\r\n<span style=\"font-weight: 400;\">“This year we’re bringing Siya Seya who is an Eastern Cape comedian based in Gqeberha and who is one of the funniest human beings on the planet.”</span>\r\n\r\n<span style=\"font-weight: 400;\">Van Vuuren was even part of the festival during the two-year Covid hiatus, when the in-person event did not take place. “The first lockdown we performed online,” he says. “It was a time when there was no other income for performers and the festival was one of the only ways I could actually make any money. It was my lifeline. In 2021 we went to Makhanda with special permits and filmed an online show at the monument which was a bizarre experience.”</span>\r\n\r\n<span style=\"font-weight: 400;\">The irony was that, in 2019, Van Vuuren had sworn that he would be taking a leave of absence from Makhanda. “That year I even made a little fake newspaper that I distributed during the festival, saying something like ‘Thanks for all the good times, but I need to take a break!’”</span>\r\n\r\n<span style=\"font-weight: 400;\">Because he did not in fact take a break, this year is Van Vuuren’s 30th back-to-back festival as a performer. Apart from hosting and MCing </span><i><span style=\"font-weight: 400;\">The Very Big Comedy Show</span></i><span style=\"font-weight: 400;\">, he is also putting on three performances of </span><i><span style=\"font-weight: 400;\">Namaste Bae</span></i><span style=\"font-weight: 400;\">, a kind of stand-up comedy crossover show in which he channels the wayward energy of a deranged New Age guru dressed in very little apart from a loincloth fashioned from a kikoi.</span>\r\n\r\n<span style=\"font-weight: 400;\">The show, which grew out of character-driven sketches that became a viral Instagram and TikTok sensation, won the Standard Bank Gold Ovation Award at last year’s festival. It includes some extremely ribald audience interaction and, depending on your tolerance for having a half-naked man on your lap, some intense intimacy.</span>\r\n\r\n<span style=\"font-weight: 400;\">Despite all the hard slog and the bittersweet “fond” memories of attending the festival as a performer, Van Vuuren says the real reward for being there is the chance to watch so many fantastic shows. “What always gets me about the festival is that I know I will always see something that will blow my mind away,” he says.</span>\r\n\r\n<span style=\"font-weight: 400;\">He says that, in recent years, he’s tried to watch more shows and perform less. “I’ve seen some of the most incredible performances in my life there, and I continue to do so. That’s the real thrill of it, and those are the most cherished memories, I think – sitting in the audience and being transported.”</span>\r\n\r\n<span style=\"font-weight: 400;\">This year, he says he is having a kind of a full-circle experience. </span>\r\n\r\n<span style=\"font-weight: 400;\">“My mom is at the festival with me, and my daughter is here too. We’re doing a whole road trip. It’s a full-on ‘circle of life’ thing for me, returning to the festival for my 30th year as a performer, with my mom who introduced me to the festival and who brought me here for the first time all those years ago when I was in Standard Eight.” </span><b>DM</b>\r\n\r\n<i><span style=\"font-weight: 400;\">The 50th iteration of the </span></i><a href=\"http://nationalartsfestival.co.za\"><i><span style=\"font-weight: 400;\">National Arts Festival</span></i></a><i><span style=\"font-weight: 400;\"> in Makhanda runs until 30 June.</span></i>",
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