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"description": "Daily Maverick is an independent online news publication and weekly print newspaper in South Africa.\r\n\r\nIt is known for breaking some of the defining stories of South Africa in the past decade, including the Marikana Massacre, in which the South African Police Service killed 34 miners in August 2012.\r\n\r\nIt also investigated the Gupta Leaks, which won the 2019 Global Shining Light Award.\r\n\r\nThat investigation was credited with exposing the Indian-born Gupta family and former President Jacob Zuma for their role in the systemic political corruption referred to as state capture.\r\n\r\nIn 2018, co-founder and editor-in-chief Branislav ‘Branko’ Brkic was awarded the country’s prestigious Nat Nakasa Award, recognised for initiating the investigative collaboration after receiving the hard drive that included the email tranche.\r\n\r\nIn 2021, co-founder and CEO Styli Charalambous also received the award.\r\n\r\nDaily Maverick covers the latest political and news developments in South Africa with breaking news updates, analysis, opinions and more.",
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"contents": "<p>“<span ><span>There is a reason why black women artists keep coming back to Saartjie Baartman. She is the archetype for black female representation issues,” says South African poet, performer and writer Lebo Mashile.</span></span></p><p><span ><span>She is premiering her workshopped production, <i>Saartjie vs Venus</i>, which she also stars in, at the 2018 Design Indaba on Friday night (23 February) at the Artscape <g class=\"gr_ gr_84 gr-alert gr_spell gr_inline_cards gr_disable_anim_appear ContextualSpelling ins-del multiReplace\" id=\"84\" data-gr-id=\"84\">theatre</g> in Cape Town. </span></span></p><p><span ><span>The lived experiences of Saartjie Baartman mirror the lived experiences of black women today. Saartjie was sold into slavery in the 18th century and moved to Cape Town. She was later moved to <g class=\"gr_ gr_85 gr-alert gr_spell gr_inline_cards gr_disable_anim_appear ContextualSpelling ins-del multiReplace\" id=\"85\" data-gr-id=\"85\">london</g>. Baartman’s large buttocks and dark skin made her the object of fascination for the colonial Europeans. Baartman was exhibited for entertainment purposes while her “owner” reaped financial benefits from her body. Baartman’s life may be years apart from that of black women today but, to some extent, her life is not too far removed from today’s reality. </span></span></p><p><span ><span>Explaining why she decided to work on this piece, Mashile said during an interview in between rehearsals: “We keep coming back to Saartjie because so many issues intersect in this one woman’s life: slavery, colonialism, sex trafficking, the line between performance art and selling the body and sex. These issues are still relevant today.”</span></span></p><p><span ><span>Mashile cites these challenges, along with the constant erasure and exploitation she has witnessed and been victim to, as what has better equipped her to tell Baartman’s story.</span></span></p><p>“<span ><span>Being at the peak of your fame and having your voice erased, that is what fame is, that is what it does, it has done this to Beyonce, it has done this to me.” </span></span></p><p><span ><span>She goes on to say that, “Fame does this particularly to black women, this is my experience, this is also Ann Masina’s experience.” </span></span></p><p><span ><span>Masina plays the role of Venus, which was Baartman’s stage name. “I have never seen anyone react to a person’s body the way I’ve seen people react to Ann. I have seen truck drivers almost hit their cars, driving into poles, looking at Ann. I have seen children turn around, like people breaking their necks, to look at Ann. People touch her involuntarily.” </span></span></p><p><span ><span>It was Mashile’s and Masina’s similar experiences as plus-size women, mothers, travellers and artists that led to them working together. Mashile realised that she had found her Venus to her Saartjie.</span></span></p><p><span ><span>Lebo Mashile is a celebrated South African poet, actress, speaker, performer and activist. </span></span></p><p><span ><span>The opening of </span></span><span ><span><i>Saartjie vs Venus</i></span></span><span ><span> on Friday night is a 45-minute snippet of what is to become a bigger production on Baartman’s life. </span></span><span ><span><span style=\"text-decoration: underline;\"><b>DM</b></span></span></span></p><p><span ><span ><span><i><span ><span>Lebo Mashile and Ann Masina on stage for the</span></span></i></span></span></span><span ><span ><span><i><span ><b> </b></span></i></span></span></span><span ><span ><span><i><span ><span>final dress rehearsal ahead of the Design Indaba opening of </span></span></i></span></span></span><span ><span ><span><span><span ><span>Saartjie vs Venus</span></span></span></span></span></span><span ><span ><span><i><span ><span> on Friday evening. Photo: Daily Maverick</span></span></i></span></span></span></p>",
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