So long, Sol

The National Party that enforced apartheid with an iron fist liked to pretend that it was Calvinist to the core, and that no-nonsense Christian outlook left no room for vices such as gambling. In a state that prohibited sexual relations based on something as artificial as skin colour, restrictive measures knew no bounds.

Sol Kerzner saw a way around this dilemma. The citadel of apartheid also included the fiction of the “homelands” that were or would become independent states, catering to their ethnic group or tribe. Some of these homelands, or Bantustans, happened to sit on some of the world’s richest deposits of platinum group metals, but Kerzner saw a pot of gold waiting to be tapped.

The result, of course, was the sprawling casino, golf and entertainment complex known as Sun City, which sits alongside the Pilanesberg game reserve, with a habitat that, among other things, is extremely suitable for rhinos. Kerzner would build other gambling and entertainment complexes – and would found the hotel groups Southern Sun and Sun International – but Sun City, launched in 1979 and hacked out of the bush in the Bantustan of Bophuthatswana, would be one of his crowning achievements.

“The casino complex was screened from the eyes of passing Ba Tswana by the outer walls of the Pilanesberg. In Bophuthatswana, as elsewhere, the poor could see the rich at work but not at play – a glimpse of the former carrying with it a positive and elevating message, the latter provoking only negative and undesirable comparisons. Gambling without guilt was to be part of the Sun City experience,” writes historian Charles van Onselen in his marvellous work of social history The Seed is Mine, about the life of Kas Maine, a South African sharecropper who constantly had to move his family and possessions while navigating the treacherous economic and political forces of apartheid.

Maine was among those who used the grasslands of Pilanesberg, now grazed by white rhino and a host of antelope species, for his cattle. Those decent grazing lands would be cut off as the fence was erected. 

“Through careful planning, he had managed. But now there was a difference: instead of being threatened by advancing tractors and sprawling maize fields, which he could understand even if he did not like them, his oxen were having to make way for baboons, leopards and ostriches! It defied comprehension,” writes Van Onselen. 

Sin City also became a target of the international movement against apartheid. In 1985, Artists United Against Apartheid released the song Sun City in which they vowed not to play there. It featured lyrics such as this:

“I ain’t gonna play Sun City
Bophuthatswana is far away
But we know it’s in South Africa no matter what they say
You can’t buy me I don’t care what you pay
Don’t ask me Sun City because I ain’t gonna play”