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"contents": "<p><span style=\"font-family: georgia,palatino; font-size: 14px;\">The show, written by and starring Ben Voss, Aaron McIlroy and John van de Ruit of <em>Spud</em> fame, is a series of comic sketches tracing the history of insanity.</span></p>\r\n<p><span style=\"font-family: georgia,palatino; font-size: 14px;\">Like all comedy pastiches, some parts work better than others, and there’s a cavalier yet calculated air of slapdashness about it all. When it works, it works superbly, and even when the sketches are a bit iffy they’re still far funnier than a lot of the ‘comedy’ shows I’ve sat through recently. Most of the time it’s deliciously clever stuff, a bubbling mix of word plays and physical humour, wonderful expressions and excellent timing.</span></p>\r\n<p><span style=\"font-family: georgia,palatino; font-size: 14px;\">The three work together brilliantly, all equally willing to make prats of themselves and of their partners when the need arises. Which it frequently does.</span></p>\r\n<p><span style=\"font-family: georgia,palatino; font-size: 14px;\">My favorite part was a wicked spoof about the SAPS, set to the tune of YMCA and rich in lyrics ridiculing our boys in blue. One line somewhere along the way comes from a fat cop shouting: “hey wena, don’t make me run, come back here!”</span></p>\r\n<p><span style=\"font-family: georgia,palatino; font-size: 14px;\">It’s fabulous when Voss gives it his best lazy cop accent. It’s perfect proof that the best and most incisive comedy is always based on truth.</span></p>\r\n<p><span style=\"font-family: georgia,palatino; font-size: 14px;\">Another winner is a sports commentary sketch, again building on clever verbal antics liberally splashed with crazy actions.</span></p>\r\n<p><span style=\"font-family: georgia,palatino; font-size: 14px;\">Director Greig Coetzee keeps a tight rein on the madness to craft a fast-paced production with nothing left to linger too long.</span></p>\r\n<p><span style=\"font-family: georgia,palatino; font-size: 14px;\">The trio plays a great variety of characters with speed and style. Voss gets some of the best roles, showing he’s as excellent as ever at playing women by dressing as a still-saucy 116-year-old.</span></p>\r\n<p><span style=\"font-family: georgia,palatino; font-size: 14px;\">A left brain/right brain sketch where two conflicting influences battle to control our hero in a disco is genius.</span></p>\r\n<p><span style=\"font-family: georgia,palatino; font-size: 14px;\">Despite enthusiastic acting and noble intentions of celebrating man’s stupidity, a few sketches miss the mark, giving the show a feeling that it’s highly likely to be honed as new ideas occur and old sketches are improved or ditched.</span></p>\r\n<p><span style=\"font-family: georgia,palatino; font-size: 14px;\">Maybe this could become a regular document of the world’s insanity, updated and restaged every year or so. This is silliness in small bites, and it left me hungry for more.<em></em></span></p>\r\n<p><span style=\"font-family: georgia,palatino; font-size: 14px;\"><em>The Rise of the Insanity League</em> runs at Montecasino Theatre until August 11, Cape Town’s Theatre on the Bay from August 14-September 1, and Hilton Arts Festival from September 13-15. <strong><span style=\"text-decoration: underline;\">DM</span></strong></span></p>\r\n<p><span style=\"font-family: georgia,palatino; font-size: 14px;\"><em>More at www.lesleystones.co.za</em></span></p>",
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"summary": "Madcap. That’s the perfect word to describe a show with the intriguing title The Rise of the Insanity League. Not just a touch of insanity, but a whole league of it, rising up to suck us all into its creative madness. By LESLEY STONES.",
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