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"contents": "<em>Editors’ note to readers: The automated sound device that accompanies all articles in the Daily Maverick is to assist readers who are blind or have reading difficulties. It is not designed for poetry. Where possible, we advise you to read the poems rather than listen.</em>\r\n\r\nLove or the memory of love has the power to bind us to each other, even in times of fear and separation. More poems have been written about love than any other topic; I can scarcely think of a poet who has not written a love poem of some sort. The three poems below speak to love’s mystery, both its strength and fragility.\r\n\r\nThe late Patrick Cullinan’s short poem “To have love” delicately evokes love’s frangible relation to loss. In Kelwyn Sole’s tender poem “Your body fills my night” the speaker confesses that “I don’t know/all your story” as he attends to the scars and secrets the loved one bears. Ayanda Billie’s poem “If I want to breathe” invites us to consider the obligation to learn to love oneself. Self-love in his poem is not a narcissistic but a restorative force. Even an apparently intractable world makes it imaginable to “love this moment/ and myself in it”.\r\n<p style=\"text-align: center;\"><strong> ***</strong></p>\r\n<strong>To have love</strong>\r\n\r\n<strong>Patrick Cullinan</strong>\r\n\r\nTo have love and then lose it:\r\n\r\nthe white hail in the orchard\r\n\r\nlying with leaves it has stripped\r\n\r\nand the storm moving away.\r\n\r\n \r\n\r\nFrom <em>The White Hail in the Orchard and other poems</em>, David Philip, 1984.\r\n\r\n<strong> </strong>\r\n<p style=\"text-align: center;\"><b>***</b></p>\r\n<strong> </strong>\r\n\r\n<strong>Your body fills my night</strong>\r\n\r\n<strong>Kelwyn Sole</strong>\r\n\r\n<strong> </strong>\r\n\r\nStarless,\r\n\r\nbut your body fills\r\n\r\nmy night –\r\n\r\n \r\n\r\nyou, with\r\n\r\ntwo scars on your stomach,\r\n\r\ntwo stabs,\r\n\r\n \r\n\r\ntwo wounds;\r\n\r\nwhen you undress they show\r\n\r\nthemselves\r\n\r\n \r\n\r\nas screams\r\n\r\nrelived, commas where your life\r\n\r\nonce faltered\r\n\r\n \r\n\r\n– two memories\r\n\r\nof a knife, the size and shape of\r\n\r\nblinding pennies –\r\n\r\n \r\n\r\nin darkness\r\n\r\nblack as this, they turn to pits\r\n\r\nbeneath my nails…\r\n\r\n \r\n\r\nI don’t know\r\n\r\nall your story. But no words can\r\n\r\nencompass these:\r\n\r\n \r\n\r\nall I know\r\n\r\nis that when your belly bares\r\n\r\nits witness\r\n\r\n \r\n\r\nyour nakedness\r\n\r\nlights up my night. For your body\r\n\r\nhas its own\r\n\r\n \r\n\r\ntwo stars.\r\n\r\n \r\n\r\nFrom <em>Walking, Falling</em>, Deep South, 2017.\r\n\r\n \r\n<p style=\"text-align: center;\"><strong>***</strong></p>\r\n \r\n\r\n<strong>If I want to breathe</strong>\r\n\r\n<strong>Ayanda Billie</strong>\r\n\r\n \r\n\r\ni’ve learnt to love what I see\r\n\r\nit has been like this\r\n\r\nsince I first saw the sun\r\n\r\n \r\n\r\ni have to sleep at night\r\n\r\nespecially on weekends\r\n\r\nbeyond the cries\r\n\r\nand inyakanyaka music\r\n\r\nfrom my neighbours\r\n\r\nwho sometimes rejoice at nothing\r\n\r\n \r\n\r\nsometimes i have to let go\r\n\r\nof things i should have stood against\r\n\r\n \r\n\r\ni don’t want to be forgotten by history\r\n\r\nonly to be remembered\r\n\r\nby the streets of kwa-nobuhle\r\n\r\n \r\n\r\nin the dark and shining hours\r\n\r\nif i still want to breathe\r\n\r\nlet me love this moment\r\n<p style=\"padding-left: 120px;\">and myself in it.</p>\r\n \r\n\r\nFrom <em>KwaNobuhle Overcast</em>, Deep South, 2019.\r\n\r\n<strong>DM/MC/ML</strong>",
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"summary": "In this feature by Maverick Citizen twice a week, poet Ingrid de Kok selects South African poetry that sometimes directly, sometimes obliquely, addresses the question of how to imagine ourselves, how to be, in the current situation.",
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