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"title": "Unlocked: Poems for Critical Times (Series Two, Part Four)",
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"contents": "<em>Editors’ note to readers: The automated sound device that accompanies articles in the Daily Maverick is to assist readers who are blind or have reading difficulties. It is not designed for poetry. Where possible, we advise you to read the poems rather than listen.</em>\r\n\r\nThe poets featured today imagine pathways or presences that provide support and hope and even the gift of wonder to those struggling with everyday life or after loss and sorrow.\r\n\r\nBusisiwe Mahlangu’s arresting poems delineate survival’s ragged contours. In her poem, <em>new affirmations for the past</em>, the task of reconstructing the fragmented self is aerated by an unpredictable wind “which one day blows your way again”. The speaker in <em>This is yours</em> voices how “you return to yourself” when “you hold your lungs to the air” and “breathe through every wound.”\r\n\r\nA different spirit manifests in Robert Berold’s poem <em>angel</em>. This is not Benjamin’s Angel, blasted from Paradise by History, but a life-affirming angel, who arises “just when you don’t know anymore”, to accompany you in sadness, on your travels through ordinary life and to sing beside you in summer. The poem’s dream-like but conversational tone invites the reader to accept the angel’s presence.\r\n<p style=\"text-align: center;\"><strong> ***</strong></p>\r\n<strong>new affirmations for the past</strong>\r\n\r\n<strong>By Busisiwe Mahlangu</strong>\r\n\r\nand one day the wind blows your way again,\r\nwe do not ask it where it comes from and what it carries\r\nwe let it move the soil and bend the trees\r\nwe watch it become stronger\r\n\r\nhere is a moment:\r\nmaybe we can tell the wind to go back\r\nmaybe we prepare better for the current\r\nmaybe i pull the clothes off the washing line on time\r\nand i close all the windows\r\nbefore the wind pulls the door from its hinges\r\n\r\nand all the children live\r\nand mama has open arms to embrace us all\r\n<p style=\"text-align: center;\"><strong>***</strong></p>\r\n<strong>This is yours</strong>\r\n\r\nThis is how you return to yourself\r\nThis is the sound\r\nThis is the blast\r\nTake the silence no one hears\r\nThis is how you return to yourself\r\nThis is your reflection on the glass\r\nThese are parts that broke but are still here\r\nThis is the collapse and the rebuilding\r\nThis is a tasteless resurrection\r\nThis is how you make home with your body\r\nThis is how you return to yourself\r\nThis is how you fit into happiness\r\nThis is the gap for your escape\r\nThis is you being carried by the wind\r\nThis is how you hold your lungs to the air\r\nThis is how you breathe through every wound\r\nThis is how you hold yourself\r\n\r\nThis is you, here\r\nThis is you, breathing\r\nThis is you, healing\r\n\r\nThis is how your soul tells you, you are doing well.\r\n\r\nBoth poems are from <em>Surviving Loss</em><strong>, </strong>Impepho Press, 2018.\r\n<p style=\"text-align: center;\"><strong>***</strong></p>\r\n<strong>angel</strong>\r\n\r\n<strong>By Robert Berold</strong>\r\n\r\njust when you don’t know anymore\r\n\r\nan angel arises\r\n\r\n \r\n\r\nmaybe an angel of paradise\r\n\r\nas you are driving up Claim Street\r\n\r\nand turn the corner into total confusion\r\n\r\n \r\n\r\nmaybe an angel of sadness\r\n\r\nor an angel of summer who lives beside you\r\n\r\nwho sings beside you with the noise of bees\r\n\r\n \r\n\r\njust when you don’t know anymore\r\n\r\nwhen you really don’t know\r\n\r\nan angel arises\r\n\r\n \r\n\r\nFrom <em>Rain across a paper field</em>, Gecko Poetry, 1999\r\n\r\n<strong>DM/MC/ML</strong>",
"teaser": "Unlocked: Poems for Critical Times (Series Two, Part Four)",
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"summary": "In times of uncertainty, many readers turn to poetry, seeking not just consolation but clarity. “Unlocked: Poems for Critical Times” brings South African poems to those facing the isolation, confusion and unease engendered by the Covid-19 pandemic. In a situation in which information is being transferred at disquieting speed, poetry asks us to slow down, to attend with care to the way poetic language re-creates our singular interior lives and loves as well as our shared social and political landscape.",
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