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"title": "Unlocked: Poems for Critical Times (Series Two, Part Six)",
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"contents": "<em>Editors’ note to readers:<span style=\"font-weight: 400;\"> The automated sound device that accompanies articles in the Daily Maverick is to assist readers who are blind or have reading difficulties. It is not designed for poetry. Where possible, we advise you to read the poems rather than listen.</span></em>\r\n\r\n<span style=\"font-weight: 400;\">Yvette Christiansë's poignant poem “When All Else Fails” appears in her volume </span><i><span style=\"font-weight: 400;\">Castaway,</span></i><span style=\"font-weight: 400;\"> a collection of poems containing multiple voices and set on the island of St Helena, a port of call for the slave trade.</span>\r\n\r\n<span style=\"font-weight: 400;\">The poem is lamentation and invocation, a girl slave’s hymn from the hull of a ship. She retains the memory of her unbound body, her freedom and her history by enumerating the privations and cruelties that enslave fingers, ankles, mouths. The resolute movement of the poem and the formal repeated entreaty “be kind” give life and breath to the resilient girl. </span>\r\n\r\n<span style=\"font-weight: 400;\">“Twice over” is also a poem in a gentle key, though its subject matter is very different. Haidee Kotze invokes an apparently simple domestic act: two adults teaching a small boy to bake a cake. Among other things what he and they learn is “how you measure” and that to make things “Right,” whether in everyday life or relationships, you might need to try again. Engaging instruction and fine description of the winter evening converges with introspection, repeated twice, that “we’ll remember/that”.</span>\r\n\r\n<b>When All Else Fails</b>\r\n\r\n<span style=\"font-weight: 400;\">Yvette Christiansë</span>\r\n\r\n \r\n\r\n<span style=\"font-weight: 400;\">And now, be kind</span>\r\n\r\n<span style=\"font-weight: 400;\">stars, gods, be kind</span>\r\n\r\n<span style=\"font-weight: 400;\">whatever names you go by</span>\r\n\r\n<span style=\"font-weight: 400;\">in our many prayers</span>\r\n\r\n<span style=\"font-weight: 400;\">and thanksgivings</span>\r\n\r\n<span style=\"font-weight: 400;\"> be kind</span>\r\n\r\n<span style=\"font-weight: 400;\">when our fingers break</span>\r\n\r\n<span style=\"font-weight: 400;\">against the wood that</span>\r\n\r\n<span style=\"font-weight: 400;\">holds us</span>\r\n\r\n<span style=\"font-weight: 400;\"> be kind</span>\r\n\r\n<span style=\"font-weight: 400;\">when we hear our voices</span>\r\n\r\n<span style=\"font-weight: 400;\">fall flat out of the </span>\r\n\r\n<span style=\"font-weight: 400;\">childhood we lose</span>\r\n\r\n<span style=\"font-weight: 400;\"> be kind</span>\r\n\r\n<span style=\"font-weight: 400;\">in the darkness,</span>\r\n\r\n<span style=\"font-weight: 400;\"> be kind</span>\r\n\r\n<span style=\"font-weight: 400;\">when they wash us</span>\r\n\r\n<span style=\"font-weight: 400;\">heavily and feed us</span>\r\n\r\n<span style=\"font-weight: 400;\">with rough concessions</span>\r\n\r\n<span style=\"font-weight: 400;\"> be kind</span>\r\n\r\n<span style=\"font-weight: 400;\">to our yesterdays, our</span>\r\n\r\n<span style=\"font-weight: 400;\">back theres, the generations</span>\r\n\r\n<span style=\"font-weight: 400;\">we shed as we squat</span>\r\n\r\n<span style=\"font-weight: 400;\">in place among strangers.</span>\r\n\r\n \r\n\r\n<span style=\"font-weight: 400;\">To our hands, be kind</span>\r\n\r\n<span style=\"font-weight: 400;\">to our ankles, our eyes</span>\r\n\r\n<span style=\"font-weight: 400;\"> be kind</span>\r\n\r\n<span style=\"font-weight: 400;\">to our memories</span>\r\n\r\n<span style=\"font-weight: 400;\"> even </span>\r\n\r\n<span style=\"font-weight: 400;\">our forgetting.</span>\r\n\r\n \r\n\r\n<span style=\"font-weight: 400;\">From </span><i><span style=\"font-weight: 400;\">Castaway</span></i><span style=\"font-weight: 400;\">, Duke University Press, 1999</span>\r\n<p style=\"text-align: center;\"><strong>***</strong></p>\r\n<b>Twice over</b>\r\n\r\n<span style=\"font-weight: 400;\">Haidee Kotze</span>\r\n\r\n \r\n\r\n<span style=\"font-weight: 400;\">We baked that cake twice\r\n</span><span style=\"font-weight: 400;\">over. We’ll remember</span>\r\n\r\n<span style=\"font-weight: 400;\">that. The Friday night. The boy\r\n</span><span style=\"font-weight: 400;\">with his head over egg whites and flour\r\n</span><span style=\"font-weight: 400;\">knotting the yellow light\r\n</span><span style=\"font-weight: 400;\">between us. The winter evening flush\r\n</span><span style=\"font-weight: 400;\">against the house. The slow</span>\r\n\r\n<span style=\"font-weight: 400;\">showing we save for small\r\n</span><span style=\"font-weight: 400;\">hands. This is how you measure. This is how you whip.</span>\r\n\r\n<span style=\"font-weight: 400;\">This is how you make your wrist do the tender work\r\n</span><span style=\"font-weight: 400;\">of folding. Between us</span>\r\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">we showed him the slow temper of love\r\n</span><span style=\"font-weight: 400;\">while the moon brewed like a fat ball of dough over the city.</span></p>\r\n<span style=\"font-weight: 400;\">Even so, we burnt it. Not much, just\r\n</span><span style=\"font-weight: 400;\">so it wasn’t Right his face said\r\n</span><span style=\"font-weight: 400;\">solemn over the singed crumbs. We looked\r\n</span><span style=\"font-weight: 400;\">at each other over\r\n</span><span style=\"font-weight: 400;\">the kitchen over his bright head. We said</span>\r\n\r\n<span style=\"font-weight: 400;\">There is more flour. And eggs and sugar. Mandarins. Oil.\r\n</span><span style=\"font-weight: 400;\">It’s early.</span>\r\n\r\n<span style=\"font-weight: 400;\">And so we baked that cake\r\n</span><span style=\"font-weight: 400;\">again. We’ll remember\r\n</span><span style=\"font-weight: 400;\"> that.</span>\r\n\r\n<span style=\"font-weight: 400;\">From </span><i><span style=\"font-weight: 400;\">Scrim</span></i><span style=\"font-weight: 400;\">, Deep South, 2019. <strong>DM/ MC/ML</strong></span>\r\n\r\n ",
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"summary": "In times of uncertainty, many readers turn to poetry, seeking not just consolation but clarity. “Unlocked: Poems for Critical Times” brings South African poems to those facing the isolation, confusion and unease engendered by the Covid-19 pandemic. In a situation in which information is being transferred at disquieting speed, poetry asks us to slow down, to attend with care to the way poetic language re-creates our singular interior lives and loves as well as our shared social and political landscape.",
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