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"title": "‘Visiting Mr Green’ themed on our combative, prejudice-riddled world",
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"contents": "<p lang=\"en-ZA\" align=\"LEFT\"><span style=\"font-family: Georgia, serif;\"><span style=\"font-size: large;\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-84672\" src=\"https://www.dailymaverick.co.za/wp-content/uploads/MrGreen5.jpg\" alt=\"\" width=\"1789\" height=\"1624\" /></span></span></p>\r\n<p lang=\"en-ZA\" align=\"LEFT\"><span style=\"font-family: Georgia, serif;\"><span style=\"font-size: large;\">In this combative, prejudice-riddled world, perhaps we need to watch as many of these stories as we can get, until we all take our final bow when the curtain closes on humanity.</span></span></p>\r\n<p align=\"LEFT\"><span style=\"color: #000000;\"><span style=\"font-family: Georgia, serif;\"><span style=\"font-size: large;\"><span lang=\"en-ZA\"><i>Visiting Mr Green</i></span><span lang=\"en-ZA\"> is another play of that ilk, this one with a particularly Jewish theme.</span></span></span></span></p>\r\n<p align=\"LEFT\"><span style=\"font-family: Georgia, serif;\"><span style=\"font-size: large;\"><span lang=\"en-ZA\">The play by </span><span style=\"color: #000000;\"><span lang=\"en-ZA\">Jeff Baron is set in New York, and</span></span><span lang=\"en-ZA\"> stars</span><span style=\"color: #000000;\"><span lang=\"en-ZA\"> Michael Richard</span></span><span style=\"color: #000000;\"><span lang=\"en-ZA\"> as the cranky and irascible Mister Green. He’s an old man stumbling through recent widowhood after 49 years with his beloved wife. Richard has the mannerisms and guttural Russian Jewish accent down to a fine art.</span></span></span></span></p>\r\n<p align=\"LEFT\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-84673\" src=\"https://www.dailymaverick.co.za/wp-content/uploads/MrGreen2.jpg\" alt=\"\" width=\"1558\" height=\"1624\" /></p>\r\n<p lang=\"en-ZA\" align=\"LEFT\"><span style=\"color: #000000;\"><span style=\"font-family: Georgia, serif;\"><span style=\"font-size: large;\">Crashing into his life – quite literally – is Ross, a young man who almost knocks him over and is sentenced to visit his victim once a week for six months as community service.</span></span></span></p>\r\n<p align=\"LEFT\"><span style=\"font-family: Georgia, serif;\"><span style=\"font-size: large;\"><span style=\"color: #000000;\"><span lang=\"en-ZA\">Roberto Pombo </span></span><span style=\"color: #000000;\"><span lang=\"en-ZA\">is eminently watchable as the slightly gawky,</span></span> <span style=\"color: #000000;\"><span lang=\"en-ZA\">whiny New Yorker carrying his own bag of neurosis along with his briefcase.</span></span></span></span></p>\r\n<p align=\"LEFT\"><span style=\"font-family: Georgia, serif;\"><span style=\"font-size: large;\"><span style=\"color: #000000;\"><span lang=\"en-ZA\">The plot unfolds in the classic manner of knock-knock, come on in, brief awkward encounter and end of scene as Baron fills in the backstory of his characters. Between each scene the audience can admire the rather neglected old person’s apartment designed by </span></span><span style=\"color: #000000;\"><span lang=\"en-ZA\">Denis Hutchinson and listen to breezy adverts from a radio somewhere in the room.</span></span></span></span></p>\r\n<p align=\"LEFT\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-84674\" src=\"https://www.dailymaverick.co.za/wp-content/uploads/MrGreen1.jpg\" alt=\"\" width=\"1344\" height=\"1624\" /></p>\r\n<p align=\"LEFT\"><span style=\"font-family: Georgia, serif;\"><span style=\"font-size: large;\"><span style=\"color: #000000;\"><span lang=\"en-ZA\">The story builds up slowly and gently, until an interval appears out of nowhere as an unnecessary and unwelcome visitor of its own after just 45 minutes of banter. Apparently the theatre contacted Baron to see if the play could be performed without an interval, but he refused. It's a pity, because it disrupts the mood and emphasises how little has happened in the first half by closing a door on it, instead of letting it flow into the next scenes where the talk becomes more important and the play far more engrossing.</span></span></span></span></p>\r\n<p align=\"LEFT\"><span style=\"font-family: Georgia, serif;\"><span style=\"font-size: large;\"><span style=\"color: #000000;\"><span lang=\"en-ZA\">In the second half, director </span></span><span style=\"color: #000000;\"><span lang=\"en-ZA\">Alan Swerdlow really has his cast turn on the emotional taps as Mr Green is caught out in a lie about his family and Ross shocks and offends his host by revealing he is gay. Now both actors are in their element, Mr Green full of bluster and self-righteousness, and Ross building up emotionally from hurt confession to anguished defence. Pombo is playing this from his heart, and the impassioned plea for understanding eases the memory of the pedestrian scene-setting first half.</span></span></span></span></p>\r\n<p lang=\"en-ZA\" align=\"LEFT\"><span style=\"color: #000000;\"><span style=\"font-family: Georgia, serif;\"><span style=\"font-size: large;\">As their clashes expose secrets on both sides, the pair run through reactions that see them spar, cajole and finally console each other into a brighter future. The script has each character do so in their own way: Mr Green with taciturn responses that show a gradual thawing and empathy, and Ross with respectful but firm guidance to draw Mr Green into a more modern, less repressive world. </span></span></span></p>\r\n<p lang=\"en-ZA\" align=\"LEFT\"><a name=\"_GoBack\"></a> <span style=\"color: #000000;\"><span style=\"font-family: Georgia, serif;\"><span style=\"font-size: large;\">The theme has certainly been done before, and often with more punch, but this gentle show builds up into a satisfying ending. <u><b>DM</b></u></span></span></span></p>\r\n<p align=\"LEFT\"><span style=\"font-family: Georgia, serif;\"><span style=\"font-size: large;\"><span style=\"color: #000000;\"><span lang=\"en-ZA\">Visiting Mr Green</span></span><i><span style=\"color: #000000;\"><span lang=\"en-ZA\"> runs at Sandton’s Auto & General Theatre on the Square until June 9. Tickets from Computicket or 011 883-8606.</span></span></i></span></span></p>",
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"summary": "Numerous plays follow a theme of coming to terms with yourself through an unwelcome encounter with others. Two characters forced together whose mutual antipathy gradually thaws as they confront each other, and have their own prejudices exposed, challenged and ultimately overcome. Usually with a happy ending as they accept each other and allow new understanding to alter themselves, until they end up as best buddies. Aw, sweet! ",
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