South Africa, Maverick Life Julius Caesar — a fluid, but slightly flaccid, time-travelling Shakespeare full of intellectual bravado by: Keith Bain
South Africa, Maverick Life A Doll’s House, Part 2: Not a sequel, a play with questions about gender equality that affect us all by: Keith Bain
South Africa, Maverick Life Cape Ballet Africa’s Breathwords: A transformative evening of dance that elevates the soul by: Keith Bain
South Africa, Maverick Life Captivating performances illuminate the dark twists of Thrill Me: The Leopold & Loeb Story by: Keith Bain
South Africa, Maverick Life Dear Evan Hansen: A musical that looks like The Matrix but sounds like teen spirit by: Keith Bain
South Africa, Maverick Life Shakespeare's enchantment shines as The Tempest captivates Cape Town audiences under the stars by: Keith Bain
South Africa, Maverick Life The Addams Family is a blast of feel-good wholesomeness and antidote to gloom by: Keith Bain
South Africa, Maverick Life Much ado about McAdoo — David Kramer brings forgotten theatrical hero back to life by: Keith Bain
South Africa, Maverick Life Mthuthuzeli November — driven to create and push the boundaries of ballet by: Keith Bain
South Africa, Maverick Life ‘Metamorphoses’ – A potent, playful reminder of the enduring wisdom of ancient myths by: Keith Bain
South Africa, Maverick Life Elegant storytelling with wonderful music, David Kramer’s ‘Ver in die wêreld Kittie’ is activism you can tap your toes to by: Keith Bain