South Africa Julius Caesar — a fluid, but slightly flaccid, time-travelling Shakespeare full of intellectual bravado By Keith Bain
South Africa A Doll’s House, Part 2: Not a sequel, a play with questions about gender equality that affect us all By Keith Bain
South Africa The devil dreams in charcoal: In Faustus in Africa!, puppets plunder humanity’s soul By Keith Bain
South Africa Dear Evan Hansen: A musical that looks like The Matrix but sounds like teen spirit By Keith Bain
South Africa Shakespeare's enchantment shines as The Tempest captivates Cape Town audiences under the stars By Keith Bain
South Africa The Addams Family is a blast of feel-good wholesomeness and antidote to gloom By Keith Bain
South Africa A Streetcar Named Desire provides a nerve-jangling journey into the human condition By Keith Bain
South Africa Intimate and full of humanity, Pieces of Me is food for the soul in a ritual of storytelling By Keith Bain
South Africa All rise: Agatha Christie’s ‘Witness for the Prosecution’ is a study in audience gullibility By Keith Bain
South Africa Big, juicy, and quite naughty — ‘Lucia di Lammermoor’ is evidence of opera in full swing By Keith Bain