South Africa, Maverick Life Julius Caesar — a fluid, but slightly flaccid, time-travelling Shakespeare full of intellectual bravado by: Keith Bain
South Africa, Maverick Life A Doll’s House, Part 2: Not a sequel, a play with questions about gender equality that affect us all by: Keith Bain
South Africa, Maverick Life The devil dreams in charcoal: In Faustus in Africa!, puppets plunder humanity’s soul by: Keith Bain
South Africa, Maverick Life Dear Evan Hansen: A musical that looks like The Matrix but sounds like teen spirit by: Keith Bain
South Africa, Maverick Life Shakespeare's enchantment shines as The Tempest captivates Cape Town audiences under the stars by: Keith Bain
South Africa, Maverick Life The Addams Family is a blast of feel-good wholesomeness and antidote to gloom by: Keith Bain
South Africa, Maverick Life, Culture A Streetcar Named Desire provides a nerve-jangling journey into the human condition by: Keith Bain
South Africa, Maverick Life Intimate and full of humanity, Pieces of Me is food for the soul in a ritual of storytelling by: Keith Bain
South Africa, Maverick Life All rise: Agatha Christie’s ‘Witness for the Prosecution’ is a study in audience gullibility by: Keith Bain
South Africa, Maverick Life, Maverick News Big, juicy, and quite naughty — ‘Lucia di Lammermoor’ is evidence of opera in full swing by: Keith Bain
South Africa, World, Maverick Life, Culture Trouble in Mind — smoke and mirrors, on stage and behind the scenes by: Keith Bain