South Africa, Maverick Life Julius Caesar — a fluid, but slightly flaccid, time-travelling Shakespeare full of intellectual bravado by: Keith Bain
South Africa, Maverick Life A Doll’s House, Part 2: Not a sequel, a play with questions about gender equality that affect us all by: Keith Bain
Maverick Life Bo Petersen’s magnificent ‘Pieces of Me’ — a play about the pain of passing as white by: Ferial Haffajee
Magazine, Maverick Life, Maverick Citizen From the archive: On fountain pens and lessons from Athol Fugard by: Anthony Akerman
South Africa, Maverick Life Playwright Anthony Akerman in apartheid South Africa: Prejudicial to the safety of the state by: Anthony Akerman
South Africa, Maverick Life The devil dreams in charcoal: In Faustus in Africa!, puppets plunder humanity’s soul by: Keith Bain
South Africa, Maverick Life Captivating performances illuminate the dark twists of Thrill Me: The Leopold & Loeb Story by: Keith Bain
South Africa, Maverick Life Dear Evan Hansen: A musical that looks like The Matrix but sounds like teen spirit by: Keith Bain
South Africa, Maverick Life Shakespeare's enchantment shines as The Tempest captivates Cape Town audiences under the stars by: Keith Bain
Maverick Life Why My Fair Lady, a 70-year-old American musical based on a century-old British play, matters by: Keith Bain